1 00:00:02,333 --> 00:00:03,567 PREVIOUSLY ON LOVE and HIP-HOP: 2 00:00:03,567 --> 00:00:04,467 ATLANTA... 3 00:00:04,467 --> 00:00:07,300 [camera shutter clicking] 4 00:00:07,300 --> 00:00:08,233 WHAT IS THIS? 5 00:00:08,233 --> 00:00:09,267 IT'S TROPIC AD FOR--WHAT DO 6 00:00:09,267 --> 00:00:09,933 YOU MEAN, WHAT IS IT? 7 00:00:09,933 --> 00:00:10,733 YOU'RE GONNA HAVE A CAREER 8 00:00:10,733 --> 00:00:11,400 SUICIDE. 9 00:00:11,400 --> 00:00:12,067 OKAY, GOOD-BYE. 10 00:00:12,067 --> 00:00:12,733 ALL RIGHT, GOOD-BYE. 11 00:00:12,733 --> 00:00:13,400 BYE-BYE. 12 00:00:13,400 --> 00:00:14,233 I HAVE TO DO WHAT I HAVE TO 13 00:00:14,233 --> 00:00:15,367 DO TO MAKE SURE THAT MY CAREER 14 00:00:15,367 --> 00:00:16,833 KEEPS GOING UP, SO I WENT BEHIND 15 00:00:16,833 --> 00:00:17,533 HIS BACK. 16 00:00:17,533 --> 00:00:18,833 HE DON'T KNOW THAT I WENT TO GO 17 00:00:18,833 --> 00:00:19,633 SEE THE PRODUCERS. 18 00:00:19,633 --> 00:00:20,433 YOU WENT BEHIND HIS BACK? 19 00:00:20,433 --> 00:00:21,100 I WENT BEHIND HIS-- 20 00:00:21,100 --> 00:00:22,000 YOU BE [bleep] CRAZY. 21 00:00:22,000 --> 00:00:24,067 OH, MY GOODNESS. 22 00:00:24,067 --> 00:00:25,567 I WANT TO BE--I WANT TO BE A 23 00:00:25,567 --> 00:00:26,667 ONE-WOMAN GUY. 24 00:00:26,667 --> 00:00:30,333 SO... 25 00:00:30,333 --> 00:00:32,133 HERE'S MY NEW VIDEO AND MY 26 00:00:32,133 --> 00:00:36,200 NEW SINGLE, MARRY ME. 27 00:00:36,200 --> 00:00:37,800 I AM SO SORRY ABOUT THE 28 00:00:37,800 --> 00:00:39,267 TECHNICAL DIFFICULTIES. 29 00:00:39,267 --> 00:00:41,033 SOMETIMES MY TEAM JUST BE 30 00:00:41,033 --> 00:00:41,700 SLIPPIN'. 31 00:00:41,700 --> 00:00:43,267 THAT'S YOUR HUSBAND, AND 32 00:00:43,267 --> 00:00:45,200 THAT'S YOUR COMMON DENOMINATOR 33 00:00:45,200 --> 00:00:46,467 TO YOUR FAILURE. 34 00:00:46,467 --> 00:00:47,533 I'M ABOUT TO GET FIRED 35 00:00:47,533 --> 00:00:48,567 IS WHAT YOU TELLIN' ME. 36 00:00:48,567 --> 00:00:49,933 [sobs] 37 00:00:49,933 --> 00:00:51,967 I DON'T WANT TO SAY THAT. 38 00:00:54,600 --> 00:00:56,533 [horn beeps] 39 00:00:56,533 --> 00:00:58,300 AS LONG AS YOU ARE WITH THAT 40 00:00:58,300 --> 00:01:01,467 [bleep], YOU AND ME... 41 00:01:01,467 --> 00:01:02,900 FOR ME TO SAY WHAT I NEED TO 42 00:01:02,900 --> 00:01:03,733 SAY WITHOUT YOU SCREAMING-- 43 00:01:03,733 --> 00:01:04,967 I DON'T REACT WELL. 44 00:01:04,967 --> 00:01:05,867 CAN WE SIT IN THE THERAPIST? 45 00:01:05,867 --> 00:01:06,633 YOU WANT TO GO IN FRONT OF A 46 00:01:06,633 --> 00:01:07,300 THERAPIST? 47 00:01:07,300 --> 00:01:07,967 YEAH. 48 00:01:07,967 --> 00:01:08,833 NOW YOU TALKIN'. 49 00:01:08,833 --> 00:01:09,733 HOW DO YOU PLAN ON GETTING 50 00:01:09,733 --> 00:01:10,433 MIMI BACK? 51 00:01:10,433 --> 00:01:11,433 I'M WORKING ON A PLAN. 52 00:01:11,433 --> 00:01:12,500 YOU'RE GONNA LIKE THIS ONE. 53 00:01:12,500 --> 00:01:13,600 IS SHE GONNA LIKE IT? 54 00:01:13,600 --> 00:01:15,600 SHE'S GONNA LOVE IT. 55 00:01:17,067 --> 00:01:18,633 * THIS IS THE LIFE 56 00:01:18,633 --> 00:01:19,567 ♪ THIS IS THE LIFE 57 00:01:19,567 --> 00:01:20,233 * YEAH 58 00:01:20,233 --> 00:01:20,967 * THIS THE LIFE 59 00:01:20,967 --> 00:01:21,867 ♪ THIS IS THE LIFE 60 00:01:21,867 --> 00:01:22,533 * 'SUP ♪ 61 00:01:22,533 --> 00:01:23,400 * THIS THE LIFE 62 00:01:23,400 --> 00:01:24,433 ♪ THIS IS THE LIFE 63 00:01:24,433 --> 00:01:25,133 * HUH 64 00:01:25,133 --> 00:01:25,767 * THIS THE LIFE 65 00:01:25,767 --> 00:01:28,967 ♪ THIS IS THE LIFE 66 00:01:28,967 --> 00:01:29,633 * HUH 67 00:01:29,633 --> 00:01:30,533 ♪ THERE AIN'T NOTHING LIKE ♪ 68 00:01:30,533 --> 00:01:31,633 ♪ HIP-HOP MUSIC 69 00:01:31,633 --> 00:01:32,967 ♪ MUSIC 70 00:01:32,967 --> 00:01:33,967 * THIS IS THE LIFE 71 00:01:33,967 --> 00:01:38,300 ♪ THIS IS THE LIFE 72 00:01:48,633 --> 00:01:49,433 HI, POOFY. 73 00:01:49,433 --> 00:01:50,100 HEY. 74 00:01:50,100 --> 00:01:51,900 YOU LOOK SO PRETTY. 75 00:01:51,900 --> 00:01:52,733 THANK YOU, BABY GIRL. 76 00:01:52,733 --> 00:01:53,700 WHAT YOU DOIN' LOOKIN' ALL 77 00:01:53,700 --> 00:01:54,367 FLY? 78 00:01:54,367 --> 00:01:55,133 WHAT WE GO GOING ON? 79 00:01:55,133 --> 00:01:56,667 [laughs] 80 00:01:56,667 --> 00:01:58,633 I'M DOWNTOWN RUNNING ERRANDS, 81 00:01:58,633 --> 00:01:59,767 AND I GET THE PHONE CALL. 82 00:01:59,767 --> 00:02:00,967 IT'S K.MICHELLE. 83 00:02:00,967 --> 00:02:02,500 SHE SAYS, "COME BY THE STUDIO. 84 00:02:02,500 --> 00:02:03,600 I GOT A LITTLE SURPRISE FOR 85 00:02:03,600 --> 00:02:04,367 YOU." 86 00:02:04,367 --> 00:02:05,300 HOW'S THE BABY? 87 00:02:05,300 --> 00:02:06,600 OH, THE BABY'S WONDERFUL. 88 00:02:06,600 --> 00:02:07,967 OKAY. 89 00:02:07,967 --> 00:02:08,867 HER FATHER, ON THE OTHER 90 00:02:08,867 --> 00:02:09,567 HAND... 91 00:02:09,567 --> 00:02:11,700 [laughs] 92 00:02:11,700 --> 00:02:14,667 LAST TIME I RAN INTO THAT ONE, 93 00:02:14,667 --> 00:02:16,567 I JUST DROPPED OFF HIS STUFF. 94 00:02:16,567 --> 00:02:18,367 HE SAYS, "LET ME FIX IT. 95 00:02:18,367 --> 00:02:19,800 LET'S GET THROUGH THIS. 96 00:02:19,800 --> 00:02:21,367 LET'S WORK IT OUT, RESOLVE IT." 97 00:02:21,367 --> 00:02:23,367 BUT HOW CAN WE DO THAT IF THE 98 00:02:23,367 --> 00:02:26,267 ISSUE IS ONGOING? 99 00:02:26,267 --> 00:02:27,533 HIM AND I TRYING TO FIX 100 00:02:27,533 --> 00:02:29,467 THINGS... 101 00:02:29,467 --> 00:02:30,433 YEAH. 102 00:02:30,433 --> 00:02:31,800 I MEAN, HONESTLY, WE NEED 103 00:02:31,800 --> 00:02:32,600 COUNSELING. 104 00:02:32,600 --> 00:02:34,833 OKAY, SO IS THE COUNSELING 105 00:02:34,833 --> 00:02:36,400 FOR THIS TO BE A RELATIONSHIP, 106 00:02:36,400 --> 00:02:37,833 OR IS IT COUNSELING TO JUST 107 00:02:37,833 --> 00:02:40,067 RAISE YOUR CHILD TOGETHER, 108 00:02:40,067 --> 00:02:40,967 TO CO-PARENT? 109 00:02:40,967 --> 00:02:42,733 THE COUNSELING IS JUST FOR US 110 00:02:42,733 --> 00:02:45,067 TO EVEN SIT IN A ROOM AND 111 00:02:45,067 --> 00:02:46,067 COMMUNICATE. 112 00:02:46,067 --> 00:02:46,733 OKAY. 113 00:02:46,733 --> 00:02:48,100 WITHOUT IT BEING SOMETHING 114 00:02:48,100 --> 00:02:48,700 ELSE. 115 00:02:48,700 --> 00:02:50,200 OKAY. 116 00:02:50,200 --> 00:02:51,167 WELL, YOU CAN'T BE GOING TO 117 00:02:51,167 --> 00:02:52,200 COUNSELING LOOKING LIKE THAT. 118 00:02:52,200 --> 00:02:52,933 [laughs] 119 00:02:52,933 --> 00:02:53,867 OKAY. 120 00:02:53,867 --> 00:02:58,600 WELL, I DID SOMETHING FOR YOU 121 00:02:58,600 --> 00:03:00,500 THAT I THINK YOU'LL LIKE. 122 00:03:00,500 --> 00:03:01,467 I DON'T KNOW IF THIS IS GONNA 123 00:03:01,467 --> 00:03:03,200 MAKE YOU FEEL ANY BETTER, BUT I 124 00:03:03,200 --> 00:03:06,433 JUST WANTED TO DO A SONG THAT, 125 00:03:06,433 --> 00:03:07,633 YOU KNOW, WAS YOUR STRUGGLE. 126 00:03:07,633 --> 00:03:08,767 YOU WROTE ME A SONG? 127 00:03:08,767 --> 00:03:09,733 YEAH. 128 00:03:09,733 --> 00:03:11,467 LET'S HEAR IT. 129 00:03:11,467 --> 00:03:14,067 NOW, LOOK, NOW, YOU KNOW, I 130 00:03:14,067 --> 00:03:16,200 KEEPIN' IT REAL IN THESE SONGS, 131 00:03:16,200 --> 00:03:18,167 NOW, SO... 132 00:03:18,167 --> 00:03:18,767 I'M READY. 133 00:03:18,767 --> 00:03:22,167 COME ON, LET'S HEAR IT. 134 00:03:22,167 --> 00:03:23,433 * OH 135 00:03:23,433 --> 00:03:24,900 ♪ I'M SO TIRED OF FOOTIN' ♪ 136 00:03:24,900 --> 00:03:28,767 ♪ THESE BILLS FOR YOU 137 00:03:28,767 --> 00:03:30,500 ♪ AND THAT CHICK KEEP SAYIN' ♪ 138 00:03:30,500 --> 00:03:32,633 ♪ SHE PREGNANT TOO 139 00:03:32,633 --> 00:03:34,167 I'M JUST SAYIN'. 140 00:03:34,167 --> 00:03:36,067 ♪ HOPE THAT BABY DON'T LOOK ♪ 141 00:03:36,067 --> 00:03:37,433 ♪ LIKE NEITHER ONE OF YOU 142 00:03:37,433 --> 00:03:38,867 ♪ NOW, THAT'S WHAT I CALL ♪ 143 00:03:38,867 --> 00:03:41,067 ♪ AN UGLY TRUTH 144 00:03:41,067 --> 00:03:43,500 ♪ SO I'M THROUGH ♪ 145 00:03:43,500 --> 00:03:45,267 ♪ I'M THROUGH ♪ 146 00:03:45,267 --> 00:03:46,533 ♪ 'CAUSE YOU WEREN'T READY ♪ 147 00:03:46,533 --> 00:03:47,200 ♪ TO LOVE 148 00:03:47,200 --> 00:03:51,200 ♪ BUT YOU WAS READY TO MM 149 00:03:51,200 --> 00:03:53,100 YOU--YOU WENT THERE. 150 00:03:53,100 --> 00:03:53,733 OH. 151 00:03:53,733 --> 00:03:55,067 YOU WENT THERE. 152 00:03:55,067 --> 00:03:56,567 YOU-- 153 00:03:56,567 --> 00:03:57,700 * BY THE WAY 154 00:03:57,700 --> 00:03:59,800 ♪ DON'T TRY TO PLAY ME ♪ 155 00:03:59,800 --> 00:04:02,200 ♪ 12 YEARS OF LOOKIN' CRAZY ♪ 156 00:04:02,200 --> 00:04:03,967 ♪ FOR YOU 157 00:04:03,967 --> 00:04:06,667 ♪ NO, HOW GOOD YOU 158 00:04:06,667 --> 00:04:08,833 ♪ YOU 159 00:04:08,833 --> 00:04:10,933 ♪ RAISE YOUR GLASS 160 00:04:10,933 --> 00:04:13,500 ♪ I AIN'T EVEN MAD ♪ 161 00:04:13,500 --> 00:04:16,833 ♪ YOU CAN JUST KISS MY ASS 162 00:04:16,833 --> 00:04:19,367 ♪ BABY, YOU CAN JUST 163 00:04:19,367 --> 00:04:21,500 ♪ KISS MY ASS 164 00:04:21,500 --> 00:04:23,500 ♪ MM 165 00:04:27,833 --> 00:04:29,367 YOU LOOKING GOOD. 166 00:04:29,367 --> 00:04:30,367 LITTLE EYELASHES. 167 00:04:30,367 --> 00:04:33,600 [laughs] 168 00:04:33,600 --> 00:04:35,067 MY MANAGER MALCOLM MILES 169 00:04:35,067 --> 00:04:35,833 FLIES INTO TOWN 170 00:04:35,833 --> 00:04:36,833 AND TELLS ME HE WANTS TO MEET 171 00:04:36,833 --> 00:04:37,533 WITH ME. 172 00:04:37,533 --> 00:04:39,067 I'M LIKE, "WOW." 173 00:04:39,067 --> 00:04:41,067 HE'S--YOU KNOW, HARDLY HAS ANY 174 00:04:41,067 --> 00:04:42,600 TIME FOR KARLIE REDD. 175 00:04:42,600 --> 00:04:44,467 WHAT'S UP, REDD? 176 00:04:44,467 --> 00:04:45,933 JUST WORKING. 177 00:04:45,933 --> 00:04:46,600 YEAH? 178 00:04:46,600 --> 00:04:48,567 LIP GLOSS LINE, WATCH LINE, 179 00:04:48,567 --> 00:04:49,667 HAIR LINE. 180 00:04:49,667 --> 00:04:50,633 JUST WORKING. 181 00:04:50,633 --> 00:04:52,167 YEAH? 182 00:04:52,167 --> 00:04:53,133 HOW LONG WE BEEN TALKIN' ABOUT 183 00:04:53,133 --> 00:04:55,500 THIS? 184 00:04:55,500 --> 00:04:58,367 I WANT YOU TO FOCUS ON STUDIO, 185 00:04:58,367 --> 00:04:59,667 A CAREER, KARLIE. 186 00:04:59,667 --> 00:05:00,633 BUT YOU'VE BEEN DOING A LOT OF 187 00:05:00,633 --> 00:05:02,667 OTHER THINGS AS WELL THAT'S 188 00:05:02,667 --> 00:05:03,900 KIND OF BEEN DISTRACTING FROM 189 00:05:03,900 --> 00:05:04,767 GETTING IN THE STUDIO. 190 00:05:04,767 --> 00:05:06,167 LIKE WHAT? 191 00:05:06,167 --> 00:05:07,200 WELL, WHAT'S GOING ON WITH 192 00:05:07,200 --> 00:05:08,633 THIS BENZINO GUY I'VE BEEN 193 00:05:08,633 --> 00:05:09,667 HEARING ABOUT? 194 00:05:09,667 --> 00:05:11,167 WHAT BENZINO GUY? 195 00:05:11,167 --> 00:05:13,167 BENZINO, SOURCE MAGAZINE 196 00:05:13,167 --> 00:05:15,600 BENZINO. 197 00:05:15,600 --> 00:05:17,067 WE'RE DATING. 198 00:05:17,067 --> 00:05:17,933 YOU'RE DATING? 199 00:05:17,933 --> 00:05:19,467 MM-HMM. 200 00:05:19,467 --> 00:05:20,567 WHAT'S YOUR DEFINITION OF 201 00:05:20,567 --> 00:05:21,800 DATING? 202 00:05:21,800 --> 00:05:23,433 WE'RE SEEING EACH OTHER. 203 00:05:23,433 --> 00:05:24,467 I LIKE HIM. 204 00:05:24,467 --> 00:05:26,867 HE LOVES ME. 205 00:05:26,867 --> 00:05:28,500 SHUT UP, KARLIE. 206 00:05:28,500 --> 00:05:29,667 HE LOVES YOU. 207 00:05:29,667 --> 00:05:30,667 YEAH, I MEAN, HE'S BEEN 208 00:05:30,667 --> 00:05:31,567 REALLY GOOD TO ME SINCE 209 00:05:31,567 --> 00:05:32,233 I MET HIM. 210 00:05:32,233 --> 00:05:33,167 LIKE, HE'S BEEN REALLY, REALLY 211 00:05:33,167 --> 00:05:33,767 GOOD TO ME. 212 00:05:33,767 --> 00:05:34,567 KARLIE, IT'S COOL WHAT YOU 213 00:05:34,567 --> 00:05:35,233 HAVING FRIENDS. 214 00:05:35,233 --> 00:05:36,200 I AIN'T SAYIN' YOU CAN'T HAVE NO 215 00:05:36,200 --> 00:05:37,067 FRIENDS AND NOTHING THAT, BUT 216 00:05:37,067 --> 00:05:37,933 PUTTING YOUR ENERGY INTO GOING 217 00:05:37,933 --> 00:05:39,867 DATING BENZINO AND ALL THAT AND 218 00:05:39,867 --> 00:05:41,167 BEING IN THE PUBLIC EYE AND A 219 00:05:41,167 --> 00:05:42,067 PUBLIC GUY-- 220 00:05:42,067 --> 00:05:42,867 I DON'T KNOW HOW PEOPLE ARE 221 00:05:42,867 --> 00:05:45,167 LOOKING AT BENZINO RIGHT NOW. 222 00:05:45,167 --> 00:05:46,367 WHEN BENZINO WAS RUNNING 223 00:05:46,367 --> 00:05:47,900 SOURCE MAGAZINE, HE WAS A 224 00:05:47,900 --> 00:05:48,567 RAPPER. 225 00:05:48,567 --> 00:05:49,767 HE WAS DOING HIS THING. 226 00:05:49,767 --> 00:05:50,800 HE WAS HOT. 227 00:05:50,800 --> 00:05:52,300 AS TIME WENT ON, HE PISSED A LOT 228 00:05:52,300 --> 00:05:53,533 OF PEOPLE OFF. 229 00:05:53,533 --> 00:05:54,633 PEOPLE DON'T WANT TO MESS WITH 230 00:05:54,633 --> 00:05:55,300 HIM. 231 00:05:55,300 --> 00:05:56,367 PEOPLE DON'T WANT TO WORK WITH 232 00:05:56,367 --> 00:05:58,833 HIM, BUT I'M REALLY DIGGING THIS 233 00:05:58,833 --> 00:06:00,167 GUY RIGHT NOW. 234 00:06:00,167 --> 00:06:01,067 I JUST WANT TO TELL YOU 235 00:06:01,067 --> 00:06:02,167 BENZINO'S TRYING TO HELP ME GET 236 00:06:02,167 --> 00:06:04,167 IN THE STUDIO. 237 00:06:04,167 --> 00:06:04,967 MM. 238 00:06:04,967 --> 00:06:05,833 LIKE, I DON'T UNDERSTAND WHAT 239 00:06:05,833 --> 00:06:07,533 BENZINO COULD DO TO HELP. 240 00:06:07,533 --> 00:06:08,700 IF IT WAS SOMEBODY THAT'S MAYBE 241 00:06:08,700 --> 00:06:10,233 HOT AND RELEVANT THAT'S GONNA 242 00:06:10,233 --> 00:06:11,600 PUT YOU IN A CERTAIN LIGHT, 243 00:06:11,600 --> 00:06:12,567 YEAH, MAYBE. 244 00:06:12,567 --> 00:06:13,633 THAT'S SO WRONG. 245 00:06:13,633 --> 00:06:14,733 YEAH, BUT IT'S THE TRUTH. 246 00:06:14,733 --> 00:06:15,833 THAT IS SO WRONG. 247 00:06:15,833 --> 00:06:17,800 BUT IT'S THE TRUTH. 248 00:06:17,800 --> 00:06:19,700 EVERY WOMAN NEEDS LOVE. 249 00:06:19,700 --> 00:06:20,800 YEAH, BUT YOU NEED-- 250 00:06:20,800 --> 00:06:21,800 WELL, GUESS WHAT. 251 00:06:21,800 --> 00:06:23,300 DO YOU WANT LOVE, OR YOU WANT A 252 00:06:23,300 --> 00:06:25,167 CAREER RIGHT NOW? 253 00:06:25,167 --> 00:06:27,400 WHICH ONE YOU WANT? 254 00:06:27,400 --> 00:06:28,900 * OOH, BOY, I WANT IT 255 00:06:28,900 --> 00:06:30,433 ♪ DON'T STOP, JUST GET IT ♪ 256 00:06:30,433 --> 00:06:32,233 ♪ MM, MM 257 00:06:32,233 --> 00:06:33,233 [singing in foreign language] 258 00:06:33,233 --> 00:06:38,800 ♪ LOUIS VUITTON 259 00:06:38,800 --> 00:06:40,233 ♪ DIVA MALETA 260 00:06:40,233 --> 00:06:41,400 ♪ ROWS, THEY POPPIN' ♪ 261 00:06:41,400 --> 00:06:42,900 ♪ ALL DAY I'M SHOPPIN' ♪ 262 00:06:42,900 --> 00:06:43,900 [singing in foreign language] 263 00:06:43,900 --> 00:06:48,533 ♪ 264 00:06:55,067 --> 00:06:56,200 FLY DANTONI. 265 00:06:56,200 --> 00:06:56,900 WHAT'S GOIN' ON? 266 00:06:56,900 --> 00:06:57,900 AIN'T THIS A SURPRISE. 267 00:06:57,900 --> 00:06:59,367 WHAT'S UP? 268 00:06:59,367 --> 00:07:00,600 HEY, JOSELINE. 269 00:07:00,600 --> 00:07:01,267 WHAT'S UP? 270 00:07:01,267 --> 00:07:01,967 THAT'S HOW YOU DO? 271 00:07:01,967 --> 00:07:03,067 YOU WANT TO JUST GO AHEAD AND 272 00:07:03,067 --> 00:07:04,267 START SESSIONS AND GET THINGS 273 00:07:04,267 --> 00:07:06,233 DONE BEHIND MY BACK WITHOUT ME? 274 00:07:06,233 --> 00:07:07,867 COME HERE FOR A MINUTE, MA. 275 00:07:07,867 --> 00:07:09,067 BECAUSE I SIGNED A CONTRACT 276 00:07:09,067 --> 00:07:11,067 WITH HIM, STEVIE THINKS THAT HE 277 00:07:11,067 --> 00:07:12,833 OWNS ME, BUT ALL HE'S GONNA GET 278 00:07:12,833 --> 00:07:14,833 FROM ME IS THAT 30% THAT I 279 00:07:14,833 --> 00:07:16,467 SIGNED FOR, AND THAT'S IT. 280 00:07:16,467 --> 00:07:17,500 I'M NOT GONNA LET HIM CONTROL 281 00:07:17,500 --> 00:07:18,500 ME AND MY CAREER. 282 00:07:18,500 --> 00:07:20,067 SO I CALLED FLY DANTONI, AND 283 00:07:20,067 --> 00:07:21,067 HE'S PRODUCING MY NEW SINGLE 284 00:07:21,067 --> 00:07:22,067 BAILAR. 285 00:07:22,067 --> 00:07:22,667 DID YOU WRITE THAT? 286 00:07:22,667 --> 00:07:24,300 YES. 287 00:07:24,300 --> 00:07:25,667 SO YOU THINK YOU CAN JUST GO 288 00:07:25,667 --> 00:07:28,067 AHEAD AND BOOK STUDIO TIME IN MY 289 00:07:28,067 --> 00:07:29,200 STUDIO-- 290 00:07:29,200 --> 00:07:29,933 I CAN DO WHAT I WANT TO DO. 291 00:07:29,933 --> 00:07:30,867 IN MY STUDIO, AND I'M NOT 292 00:07:30,867 --> 00:07:31,833 SUPPOSED TO KNOW ABOUT IT? 293 00:07:31,833 --> 00:07:33,067 I'M GONNA WORK WITH YOU 294 00:07:33,067 --> 00:07:33,733 OR WITHOUT YOU. 295 00:07:33,733 --> 00:07:35,400 THAT'S GOOD, YOU KNOW? 296 00:07:35,400 --> 00:07:36,167 I'M STILL GONNA GET PAID, 297 00:07:36,167 --> 00:07:37,967 REGARDLESS, SO IF YOU'RE 298 00:07:37,967 --> 00:07:38,767 WORKING, HELPING MAKE MY JOB 299 00:07:38,767 --> 00:07:40,300 EASY, I'M HAPPY ABOUT THAT TOO. 300 00:07:40,300 --> 00:07:41,067 BUT THEN, YOU GET PAID 301 00:07:41,067 --> 00:07:41,733 WHEN YOU GET PAID. 302 00:07:41,733 --> 00:07:42,733 HOW 'BOUT THAT? 303 00:07:42,733 --> 00:07:43,433 DON'T WORRY ABOUT IT. 304 00:07:43,433 --> 00:07:44,167 I'LL TAKE IT UP WITH THE 305 00:07:44,167 --> 00:07:44,767 LAWYERS. 306 00:07:44,767 --> 00:07:45,433 IT'S NO BIG THING. 307 00:07:45,433 --> 00:07:46,167 THEN DO WHAT YOU DO. 308 00:07:46,167 --> 00:07:46,967 YOU'RE A LIGHTWEIGHT IN THIS 309 00:07:46,967 --> 00:07:47,633 THING, MA. 310 00:07:47,633 --> 00:07:49,100 I'VE BEEN DOIN' THIS. 311 00:07:49,100 --> 00:07:50,933 IF I BRING YOU IN THE SITUATION 312 00:07:50,933 --> 00:07:53,300 WHERE YOU HAD NO IDEA THIS REALM 313 00:07:53,300 --> 00:07:56,233 OF LIFE EVEN EXISTED-- 314 00:07:56,233 --> 00:07:57,500 YOU SHOULD NEVER BITE THE HAND 315 00:07:57,500 --> 00:07:58,500 THAT FEEDS YOU. 316 00:07:58,500 --> 00:08:00,067 YOU KNOW, THIS INDUSTRY IS THIS 317 00:08:00,067 --> 00:08:01,433 SMALL. 318 00:08:01,433 --> 00:08:02,733 MA, I'LL SHUT YOU DOWN IF I 319 00:08:02,733 --> 00:08:03,533 WANTED TO, BUT I DON'T WANT TO 320 00:08:03,533 --> 00:08:04,200 DO THAT. 321 00:08:04,200 --> 00:08:04,967 GO AHEAD AND SHUT ME DOWN, 322 00:08:04,967 --> 00:08:05,633 THEN. 323 00:08:05,633 --> 00:08:06,300 YOU KNOW THE STORY. 324 00:08:06,300 --> 00:08:06,967 YOU'LL BE BACK WHERE? 325 00:08:06,967 --> 00:08:08,167 GO AHEAD. 326 00:08:08,167 --> 00:08:09,067 RIGHT WHERE YOU WANT ME TO BE, 327 00:08:09,067 --> 00:08:09,700 THE STRIP CLUB? 328 00:08:09,700 --> 00:08:10,700 I DON'T THINK SO. 329 00:08:10,700 --> 00:08:11,767 OKAY. 330 00:08:11,767 --> 00:08:12,433 I'M WORKIN'. 331 00:08:12,433 --> 00:08:13,433 NOW YOU'RE A RAPPER, SINGER? 332 00:08:13,433 --> 00:08:14,167 I'M WORKIN'. 333 00:08:14,167 --> 00:08:14,900 LISTEN-- 334 00:08:14,900 --> 00:08:16,400 WHO GAVE YOU THAT? 335 00:08:16,400 --> 00:08:17,167 STEVIE. 336 00:08:17,167 --> 00:08:19,100 [blows] 337 00:08:23,733 --> 00:08:26,167 I FEEL SOMETIMES THAT WHEN I 338 00:08:26,167 --> 00:08:27,433 TRY TO DO MY BEST, I FEEL LIKE 339 00:08:27,433 --> 00:08:28,500 YOU TRY TO COMPETE WITH ME. 340 00:08:28,500 --> 00:08:29,367 THAT'S WHY YOU ALWAYS PUSH ME 341 00:08:29,367 --> 00:08:30,067 DOWN. 342 00:08:30,067 --> 00:08:31,500 I KNOW A SIMPLER REASON WHY. 343 00:08:31,500 --> 00:08:32,933 WHY? 344 00:08:32,933 --> 00:08:34,833 'CAUSE WE [bleep]. 345 00:08:34,833 --> 00:08:37,300 WE GOT TO STOP [bleep]. 346 00:08:37,300 --> 00:08:38,167 THAT'S WHAT'S GONNA HAVE TO 347 00:08:38,167 --> 00:08:38,800 HAPPEN. 348 00:08:38,800 --> 00:08:39,667 YOU'RE GONNA STOP HAVING SEX 349 00:08:39,667 --> 00:08:41,233 WITH ME? 350 00:08:41,233 --> 00:08:42,167 YOU'RE GONNA STOP HAVING SEX 351 00:08:42,167 --> 00:08:45,667 WITH ALL OF THIS? 352 00:08:45,667 --> 00:08:48,167 EVEN--EVEN IF YOU TRIED, 353 00:08:48,167 --> 00:08:49,133 YOU COULDN'T. 354 00:08:49,133 --> 00:08:50,667 HE CAN'T LEAVE ME ALONE. 355 00:08:50,667 --> 00:08:51,867 HE CANNOT STOP HAVING SEX WITH 356 00:08:51,867 --> 00:08:52,533 ME. 357 00:08:52,533 --> 00:08:54,100 HE ALWAYS SAY, "I'M NOT GONNA 358 00:08:54,100 --> 00:08:55,167 COME AROUND." 359 00:08:55,167 --> 00:08:56,733 HE'LL BE KNOCKING ON MY DOOR, 360 00:08:56,733 --> 00:08:58,133 BASICALLY STALKING ME. 361 00:08:58,133 --> 00:08:59,067 WHEN NEED TO GET RID OF THIS 362 00:08:59,067 --> 00:08:59,900 CONTRACT, 'CAUSE I REALLY CAN'T 363 00:08:59,900 --> 00:09:00,633 WORK WITH YOU. 364 00:09:00,633 --> 00:09:01,400 GET RID OF OUR CONTRACT? 365 00:09:01,400 --> 00:09:02,667 YEAH, YEAH, I CAN'T WORK WITH 366 00:09:02,667 --> 00:09:03,333 YOU. 367 00:09:03,333 --> 00:09:04,400 YOU DON'T KNOW HOW TO SEPARATE 368 00:09:04,400 --> 00:09:06,533 BUSINESS AND PERSONAL. 369 00:09:06,533 --> 00:09:08,167 THE PROBLEM WITH STEVIE AND I IS 370 00:09:08,167 --> 00:09:09,167 NOT THE CONTRACT. 371 00:09:09,167 --> 00:09:10,500 HE DOESN'T WANT 30%. 372 00:09:10,500 --> 00:09:12,067 HE WANT THE WHOLE 100%. 373 00:09:12,067 --> 00:09:14,400 HE WANTS THIS, HE WANTS THIS 374 00:09:14,400 --> 00:09:16,200 RIGHT HERE, AND HE WANTS THIS, 375 00:09:16,200 --> 00:09:18,900 AND HE WANTS THE MONEY. 376 00:09:18,900 --> 00:09:20,067 LEAVE ME ALONE. 377 00:09:20,067 --> 00:09:21,367 LET THE CONTRACT GO. 378 00:09:21,367 --> 00:09:22,533 LET ME WORK WITH WHO I WANT TO 379 00:09:22,533 --> 00:09:23,633 WORK WITH, AND THAT'S THAT. 380 00:09:23,633 --> 00:09:24,633 LET THE CONTRACT GO? 381 00:09:24,633 --> 00:09:25,633 LISTEN, I'M TRYING TO WORK. 382 00:09:25,633 --> 00:09:27,633 NO. 383 00:09:31,667 --> 00:09:36,767 I'M NOT GONNA LET UP OFF YOU... 384 00:09:38,700 --> 00:09:40,700 'CAUSE YOU ARE A SUPERSTAR. 385 00:09:43,067 --> 00:09:44,167 THROUGHOUT ALL THESE YEARS, 386 00:09:44,167 --> 00:09:45,067 WE'VE GOTTEN PAST EVERY 387 00:09:45,067 --> 00:09:46,733 SITUATION THAT PRETTY MUCH HAS 388 00:09:46,733 --> 00:09:48,100 COME AT US, BUT FOR YOU TO 389 00:09:48,100 --> 00:09:50,733 QUESTION ME LOVING YOU, TO ME, 390 00:09:50,733 --> 00:09:52,100 THAT [bleep] IS SMALL. 391 00:09:52,100 --> 00:09:53,367 IF YOU WANT TO LET THEM GUIDE 392 00:09:53,367 --> 00:09:55,067 YOUR LIFE AND EVERYTHING HAS TO 393 00:09:55,067 --> 00:09:56,967 BE HOT AND COLD OR WHATEVER-- 394 00:09:56,967 --> 00:09:57,967 THEY NEED TO GET YOU A HIT 395 00:09:57,967 --> 00:09:58,867 MOTHER[bleep] RECORD, YOU KNOW 396 00:09:58,867 --> 00:09:59,533 WHAT I'M SAYIN'? 397 00:09:59,533 --> 00:10:00,533 'CAUSE IT'S NOT LIKE YOU'RE SO 398 00:10:00,533 --> 00:10:01,433 MOTHER[bleep] HOT YOURSELF, 399 00:10:01,433 --> 00:10:02,933 EITHER. 400 00:10:02,933 --> 00:10:04,500 WHAT'S HER NAME? 401 00:10:04,500 --> 00:10:06,900 JOSELINE. 402 00:10:06,900 --> 00:10:10,200 SHE'S SOMEONE YOU LOVE. 403 00:10:10,200 --> 00:10:12,200 I MEAN... 404 00:10:33,133 --> 00:10:34,733 I DON'T KNOW IF YOU REMEMBER 405 00:10:34,733 --> 00:10:36,200 THIS, BUT A LONG TIME AGO, WE 406 00:10:36,200 --> 00:10:37,867 SAID IF WE EVER GOT TO A POINT 407 00:10:37,867 --> 00:10:39,300 WHERE WE WAS FEELING LIKE OUR 408 00:10:39,300 --> 00:10:41,033 RELATIONSHIP WAS IN A REALLY 409 00:10:41,033 --> 00:10:42,700 WEIRD PLACE, WE WOULD TALK TO 410 00:10:42,700 --> 00:10:44,833 EACH OTHER, RIGHT? 411 00:10:44,833 --> 00:10:46,467 AFTER YESTERDAY'S HUGE FIGHT 412 00:10:46,467 --> 00:10:48,133 WITH KIRK OVER BUSINESS, I GOT 413 00:10:48,133 --> 00:10:49,800 UP 5:00 IN THE MORNING AND JUST 414 00:10:49,800 --> 00:10:51,300 SAT AND WAITED ON HIM TO GET UP, 415 00:10:51,300 --> 00:10:52,500 'CAUSE THE PLACE WE ARE RIGHT 416 00:10:52,500 --> 00:10:54,233 NOW, I DON'T LIKE IT. 417 00:10:54,233 --> 00:10:55,533 WE HAVE BEEN TOGETHER FOR A LONG 418 00:10:55,533 --> 00:10:56,200 TIME. 419 00:10:56,200 --> 00:10:57,700 WE HAVE A LOT OF THINGS GOING ON 420 00:10:57,700 --> 00:10:58,533 AROUND US. 421 00:10:58,533 --> 00:10:59,367 THROUGHOUT ALL THESE YEARS, 422 00:10:59,367 --> 00:11:00,567 WE'VE GOTTEN PAST EVERY 423 00:11:00,567 --> 00:11:02,067 SITUATION THAT PRETTY MUCH HAS 424 00:11:02,067 --> 00:11:03,400 COME AT US, BUT FOR YOU TO 425 00:11:03,400 --> 00:11:06,100 QUESTION ME LOVING YOU, TO ME, 426 00:11:06,100 --> 00:11:07,533 THAT [bleep] IS SMALL. 427 00:11:07,533 --> 00:11:08,800 YOU GOIN' BEHIND MY BACK 428 00:11:08,800 --> 00:11:10,233 DOING STUFF I DON'T KNOW ABOUT, 429 00:11:10,233 --> 00:11:11,933 AND I FEEL LIKE IF YOU LOVE ME, 430 00:11:11,933 --> 00:11:13,200 YOU WOULD NEVER DO NOTHIN' LIKE 431 00:11:13,200 --> 00:11:14,533 THAT, SO OF COURSE I'M 432 00:11:14,533 --> 00:11:16,200 QUESTIONING, "DO YOU LOVE ME?" 433 00:11:16,200 --> 00:11:17,100 THE WHOLE POINT OF THIS WHOLE 434 00:11:17,100 --> 00:11:17,967 [bleep] IS TO GET YOU TO 435 00:11:17,967 --> 00:11:20,333 UNDERSTAND ONE THING: I NEED 436 00:11:20,333 --> 00:11:21,800 MORE RASHEEDA TIME. 437 00:11:21,800 --> 00:11:23,267 YOU KNOW, RASHEEDA, THE ONE THAT 438 00:11:23,267 --> 00:11:24,667 WAS EXCITED TO GO INTO WAFFLE 439 00:11:24,667 --> 00:11:25,967 HOUSE AND GET A DOUBLE ORDER OF 440 00:11:25,967 --> 00:11:27,100 HASH BROWNS, YOU KNOW, THE GIRL 441 00:11:27,100 --> 00:11:29,067 WHO EXCITED ME THE MOST. 442 00:11:29,067 --> 00:11:31,433 THAT WOMAN NEEDS TO COME BACK. 443 00:11:31,433 --> 00:11:33,567 YOU GOT SO MUCH GOING, THAT YOU 444 00:11:33,567 --> 00:11:35,633 JUST HARD TO FIND IN THERE. 445 00:11:35,633 --> 00:11:38,633 KIRK, YOU ARE MY OTHER HALF. 446 00:11:38,633 --> 00:11:40,600 YOU HAVE BEEN THERE WITH ME FOR 447 00:11:40,600 --> 00:11:41,633 SO LONG. 448 00:11:41,633 --> 00:11:42,400 COME ON. 449 00:11:42,400 --> 00:11:43,467 I DON'T EVEN KNOW WHERE I 450 00:11:43,467 --> 00:11:44,933 WOULD BE IN MY LIFE RIGHT NOW IF 451 00:11:44,933 --> 00:11:47,333 IT WASN'T FOR YOU. 452 00:11:47,333 --> 00:11:48,367 I HAVE NO CLUE. 453 00:11:48,367 --> 00:11:49,067 YOU KNOW WHY? 454 00:11:49,067 --> 00:11:50,367 BECAUSE THE WORLD IS SO [bleep] 455 00:11:50,367 --> 00:11:52,433 UP, AND THERE BE SO MANY WOMEN 456 00:11:52,433 --> 00:11:54,367 DOING SO MANY CRAZY THINGS, AND 457 00:11:54,367 --> 00:11:55,367 I'VE BEEN BLESSED TO HAVE 458 00:11:55,367 --> 00:11:57,900 SOMEBODY NOT ONLY LOVE ME, BUT 459 00:11:57,900 --> 00:12:01,433 SHOW ME HOW TO LOVE MYSELF. 460 00:12:01,433 --> 00:12:02,433 YOU GOT TO CHANGE THINGS UP, 461 00:12:02,433 --> 00:12:03,100 THEN. 462 00:12:03,100 --> 00:12:05,467 WE PUT OFF HAVING KIDS 'CAUSE IF 463 00:12:05,467 --> 00:12:07,067 RASHEEDA HAVE A BABY RIGHT NOW, 464 00:12:07,067 --> 00:12:08,333 AIN'T NOBODY GONNA BUY A 465 00:12:08,333 --> 00:12:09,400 PREGNANT WOMAN RAP. 466 00:12:09,400 --> 00:12:10,333 HOW DID WE LET THE INDUSTRY 467 00:12:10,333 --> 00:12:11,067 DECIDE-- 468 00:12:11,067 --> 00:12:11,933 SO IF I LOST SIGHT OF US, 469 00:12:11,933 --> 00:12:13,367 I APOLOGIZE FOR THAT. 470 00:12:13,367 --> 00:12:15,200 BECAUSE YOU A RAPPER. 471 00:12:15,200 --> 00:12:16,333 IS THAT WHAT A RAPPER IS 472 00:12:16,333 --> 00:12:17,467 SUPPOSED TO BE, A WOMAN WHO 473 00:12:17,467 --> 00:12:19,500 CAN'T HAVE KIDS AND CAN'T BE A 474 00:12:19,500 --> 00:12:20,267 WIFE? 475 00:12:20,267 --> 00:12:21,367 OKAY, I HAVE SOMETHING ON MY 476 00:12:21,367 --> 00:12:22,067 MIND. 477 00:12:22,067 --> 00:12:23,233 OKAY. 478 00:12:23,233 --> 00:12:24,867 WHY DON'T WE EVEN CONSIDER 479 00:12:24,867 --> 00:12:26,500 MAYBE YOU STEPPING DOWN A LITTLE 480 00:12:26,500 --> 00:12:28,367 BIT AND ALLOWING ME TO EXPLORE 481 00:12:28,367 --> 00:12:30,200 SOME OPTIONS ON MANAGEMENT AND 482 00:12:30,200 --> 00:12:31,267 LET'S TRY THAT? 483 00:12:31,267 --> 00:12:33,433 JUST TO SEE IF THAT'S SOMETHING 484 00:12:33,433 --> 00:12:37,400 THAT CAN HELP US PERSONALLY AND 485 00:12:37,400 --> 00:12:39,767 ON THE BUSINESS SIDE. 486 00:12:39,767 --> 00:12:40,600 I'M NOT REALLY SURE HOW IT'S 487 00:12:40,600 --> 00:12:41,267 GONNA GO. 488 00:12:41,267 --> 00:12:42,867 I'M HOPING IT GOES WELL, BUT 489 00:12:42,867 --> 00:12:44,833 ULTIMATELY, I WANT MY HUSBAND TO 490 00:12:44,833 --> 00:12:46,467 LOVE HIS WIFE AND BE HAPPY. 491 00:12:46,467 --> 00:12:47,600 I DON'T WANT HIM FEELING LIKE 492 00:12:47,600 --> 00:12:49,200 I'M JUST GOING LEFT ON HIM LIKE 493 00:12:49,200 --> 00:12:50,133 THAT. 494 00:12:50,133 --> 00:12:52,067 I JUST HOPE WE WORK ON IT AND 495 00:12:52,067 --> 00:12:54,300 JUST NOT TALK ABOUT IT. 496 00:13:01,733 --> 00:13:03,467 I'VE BEEN SPENDING ALMOST 497 00:13:03,467 --> 00:13:05,700 EVERY NIGHT AT BENZINO'S HOUSE. 498 00:13:05,700 --> 00:13:07,100 HE MAY BE COLD AS FAR AS 499 00:13:07,100 --> 00:13:09,200 MALCOLM'S CONCERNED, BUT AT THE 500 00:13:09,200 --> 00:13:12,567 HOUSE, IT'S VERY HOT AND STEAMY. 501 00:13:12,567 --> 00:13:14,200 WOW, BABE. 502 00:13:14,200 --> 00:13:14,900 YEAH. 503 00:13:14,900 --> 00:13:16,067 YOU DIDN'T HAVE TO. 504 00:13:16,067 --> 00:13:17,433 I WANTED TO. 505 00:13:17,433 --> 00:13:18,733 DID YOU SLEEP GOOD? 506 00:13:18,733 --> 00:13:22,267 SO GOT A LITTLE SOMETHING ELSE 507 00:13:22,267 --> 00:13:23,533 ON THE TRAY FOR YOU. 508 00:13:23,533 --> 00:13:24,300 REALLY? 509 00:13:24,300 --> 00:13:28,400 YEAH. 510 00:13:28,400 --> 00:13:29,367 A KEY. 511 00:13:29,367 --> 00:13:30,300 YEAH. 512 00:13:30,300 --> 00:13:30,967 YOU GOT ME A KEY TO THE 513 00:13:30,967 --> 00:13:31,667 HOUSE? 514 00:13:31,667 --> 00:13:32,533 TO THE CRIB, YEAH. 515 00:13:32,533 --> 00:13:34,133 YOU KNOW, MI CASA, SU CASA. 516 00:13:34,133 --> 00:13:34,867 YOU KNOW WHAT I'M SAYIN'? 517 00:13:34,867 --> 00:13:35,600 ARE WE READY FOR THIS? 518 00:13:35,600 --> 00:13:37,067 TO ME, I THOUGHT--I MEAN, 519 00:13:37,067 --> 00:13:38,800 I THOUGHT WE WAS. 520 00:13:38,800 --> 00:13:40,300 IT COMES TO A POINT IN A MAN'S 521 00:13:40,300 --> 00:13:42,067 LIFE WHERE YOU FEEL LIKE, WOW, 522 00:13:42,067 --> 00:13:42,800 THIS RIGHT HERE REALLY COULD 523 00:13:42,800 --> 00:13:43,467 BE IT. 524 00:13:43,467 --> 00:13:45,133 SHE'S BEAUTIFUL. SHE'S TALENTED. 525 00:13:45,133 --> 00:13:46,300 AND, YOU KNOW, I'M NOT GETTING 526 00:13:46,300 --> 00:13:47,133 NO YOUNGER, YOU KNOW WHAT I'M 527 00:13:47,133 --> 00:13:47,767 SAYIN'? 528 00:13:47,767 --> 00:13:49,267 I DON'T KNOW HOW LONG, YOU KNOW, 529 00:13:49,267 --> 00:13:50,400 ALL THESE GOOD LOOKS IS GONNA 530 00:13:50,400 --> 00:13:51,167 LAST, YOU KNOW? 531 00:13:51,167 --> 00:13:53,067 SO I FELT LIKE I WANTED TO SPEED 532 00:13:53,067 --> 00:13:53,733 THE PROCESS UP. 533 00:13:53,733 --> 00:13:57,333 YOU KNOW WHAT I'M SAYIN'? 534 00:13:57,333 --> 00:13:58,767 WHAT'S THE MATTER? 535 00:13:58,767 --> 00:14:02,133 I HAD A TALK WITH MALCOLM. 536 00:14:04,200 --> 00:14:06,433 HE SUGGESTED THAT, YOU KNOW, 537 00:14:06,433 --> 00:14:09,200 I NEEDED TO STAY HOT, AND, YOU 538 00:14:09,200 --> 00:14:11,733 KNOW, BENZINO IS A LITTLE COLD. 539 00:14:11,733 --> 00:14:14,233 BENZINO'S COLD? 540 00:14:14,233 --> 00:14:14,900 MAN. 541 00:14:14,900 --> 00:14:15,733 LISTEN, HE'S JUST GIVING ME 542 00:14:15,733 --> 00:14:16,967 SOME ADVICE ABOUT WHAT HIS 543 00:14:16,967 --> 00:14:17,900 ARTIST SHOULD DO. 544 00:14:17,900 --> 00:14:18,733 WHAT DOES THAT GOT TO DO WITH 545 00:14:18,733 --> 00:14:19,400 US? 546 00:14:19,400 --> 00:14:20,200 YOU KNOW WHAT I'M SAYIN'? 547 00:14:20,200 --> 00:14:21,067 LIKE, WE'RE NOT INDUSTRY. 548 00:14:21,067 --> 00:14:21,867 BECAUSE IF I'M ROCKING WITH 549 00:14:21,867 --> 00:14:23,600 YOU, YOU'RE GONNA BE IN WITH ME 550 00:14:23,600 --> 00:14:24,733 IN THE INDUSTRY. 551 00:14:24,733 --> 00:14:25,667 NOT EVERYTHING'S ABOUT THE 552 00:14:25,667 --> 00:14:26,433 INDUSTRY. 553 00:14:26,433 --> 00:14:27,733 IF YOU WANT TO LET THEM GUIDE 554 00:14:27,733 --> 00:14:29,367 YOUR LIFE AND EVERYTHING HAS TO 555 00:14:29,367 --> 00:14:31,200 BE HOT AND COLD OR WHATEVER-- 556 00:14:31,200 --> 00:14:32,400 THEY NEED TO GET YOU A HIT 557 00:14:32,400 --> 00:14:33,300 MOTHER[bleep] RECORD, YOU KNOW 558 00:14:33,300 --> 00:14:33,967 WHAT I'M SAYIN'? 559 00:14:33,967 --> 00:14:34,800 'CAUSE IT'S NOT LIKE YOU SO 560 00:14:34,800 --> 00:14:35,833 MOTHER[bleep] HOT YOURSELF, 561 00:14:35,833 --> 00:14:39,133 EITHER. 562 00:14:39,133 --> 00:14:41,067 I'M LIKE, "THAT'S NOT WHAT 563 00:14:41,067 --> 00:14:43,067 YOU WERE SAYIN' LAST NIGHT." 564 00:14:43,067 --> 00:14:43,700 SO WHAT YOU SAYIN'? 565 00:14:43,700 --> 00:14:44,933 YOU JUST DO WHAT'S IN YOUR 566 00:14:44,933 --> 00:14:46,633 HEART AND WHAT YOUR HEART'S 567 00:14:46,633 --> 00:14:48,600 TELLING YOU TO DO AND DON'T 568 00:14:48,600 --> 00:14:50,433 WORRY ABOUT NO INDUSTRY, NO 569 00:14:50,433 --> 00:14:51,767 INTERNET, AND WHAT OTHER PEOPLE 570 00:14:51,767 --> 00:14:55,067 SAY, BECAUSE THAT'S NOT LOVE. 571 00:14:55,067 --> 00:14:57,733 LOVE IS ABOUT WHAT YOU THINK. 572 00:14:57,733 --> 00:14:58,967 WHEN YOU'RE AN ARTIST, 573 00:14:58,967 --> 00:15:00,500 EVERYTHING REALLY IS ABOUT A 574 00:15:00,500 --> 00:15:02,800 LOOK, BUT AT THE END OF THE DAY, 575 00:15:02,800 --> 00:15:04,333 YOU KNOW, THERE'S STILL A 576 00:15:04,333 --> 00:15:05,533 PERSONAL LIFE. 577 00:15:05,533 --> 00:15:07,833 SO THERE'S YOUR HIP-HOP, AND 578 00:15:07,833 --> 00:15:08,733 THERE'S YOUR LOVE. 579 00:15:08,733 --> 00:15:10,267 YOU KNOW, SHE HAS TO BE ABLE TO 580 00:15:10,267 --> 00:15:11,333 DECIDE BETWEEN THE TWO. 581 00:15:11,333 --> 00:15:12,900 I'VE BEEN IN THIS GAME FOR A 582 00:15:12,900 --> 00:15:13,833 MINUTE, AND IT HAS UPS AND 583 00:15:13,833 --> 00:15:15,733 DOWNS, MAN, BUT I DON'T QUIT. 584 00:15:15,733 --> 00:15:17,067 I'M NOT A QUITTER. 585 00:15:17,067 --> 00:15:18,400 I'M NOT GONNA QUIT ON US, 586 00:15:18,400 --> 00:15:22,633 BUT YOU GOT TO GO EASY WITH WHAT 587 00:15:22,633 --> 00:15:24,400 THEY THINK ABOUT ZINO. 588 00:15:24,400 --> 00:15:25,767 YOU KNOW, GIVE ME A CHANCE. 589 00:15:25,767 --> 00:15:26,900 I HATE THE FACT THAT WE HAVE 590 00:15:26,900 --> 00:15:30,433 TO GO THROUGH THIS. 591 00:15:30,433 --> 00:15:32,433 IT IS WHAT IT IS. 592 00:15:35,800 --> 00:15:37,133 BABY, CAN WE JUST FIGURE IT 593 00:15:37,133 --> 00:15:39,967 OUT? 594 00:15:39,967 --> 00:15:42,400 PLEASE? 595 00:15:42,400 --> 00:15:43,767 YOU GOT TO MAKE A DECISION, 596 00:15:43,767 --> 00:15:47,133 KARLIE, AT SOME POINT, 597 00:15:47,133 --> 00:15:48,400 BECAUSE I CAN'T GO THROUGH THIS. 598 00:15:48,400 --> 00:15:50,400 I CAN'T LIVE MY LIFE LIKE THIS. 599 00:15:59,133 --> 00:16:05,433 * SO I WON'T HURT AGAIN ♪ 600 00:16:05,433 --> 00:16:06,467 [cheers and applause] 601 00:16:06,467 --> 00:16:10,067 THANK Y'ALL. 602 00:16:10,067 --> 00:16:11,567 AFTER THE SONG K.MICHELLE DID 603 00:16:11,567 --> 00:16:13,300 FOR ME, I COULDN'T GET ENOUGH OF 604 00:16:13,300 --> 00:16:14,367 HER PERFORMING. 605 00:16:14,367 --> 00:16:15,467 SO WHEN SHE SAID SHE WAS GONNA 606 00:16:15,467 --> 00:16:17,800 BE AT ATL LIVE, I GRABBED ERICA, 607 00:16:17,800 --> 00:16:19,267 AND WE WENT DOWNTOWN. 608 00:16:19,267 --> 00:16:20,200 HI, I'M YOUR LIFESTYLE 609 00:16:20,200 --> 00:16:21,200 SPECIALIST KENNY BURNS, AND UP 610 00:16:21,200 --> 00:16:23,567 NEXT ARE TWO PERSONAL FRIENDS OF 611 00:16:23,567 --> 00:16:26,667 MINE: STEVIE J. AND BENZINO 612 00:16:26,667 --> 00:16:31,533 AND THE MAGNIFICENT 757s. 613 00:16:31,533 --> 00:16:32,833 I'M SUPPOSED TO BE OUT WITH 614 00:16:32,833 --> 00:16:34,067 MY GIRL HAVING A GOOD TIME 615 00:16:34,067 --> 00:16:35,533 LISTENING TO K.MICHELLE, AND NOW 616 00:16:35,533 --> 00:16:37,733 ALL OF A SUDDEN, "STEVIE J." IS 617 00:16:37,733 --> 00:16:38,600 PERFORMING. 618 00:16:38,600 --> 00:16:41,600 OKAY, WHAT'S NEXT? 619 00:16:41,600 --> 00:16:42,267 THANK YOU. 620 00:16:42,267 --> 00:16:43,667 I'D LIKE TO DEDICATE THIS TO 621 00:16:43,667 --> 00:16:44,500 SOMEBODY SPECIAL, 622 00:16:44,500 --> 00:16:46,200 SOMEBODY THAT'S HERE TONIGHT. 623 00:16:46,200 --> 00:16:47,733 SHE MEANS A LOT TO ME. 624 00:16:47,733 --> 00:16:48,867 I JUST WANT TO STOP ALL THE 625 00:16:48,867 --> 00:16:51,233 FIGHTIN', STOP ALL THE FUSSIN', 626 00:16:51,233 --> 00:16:52,333 AND GET BACK TO LOVIN' AND 627 00:16:52,333 --> 00:16:54,967 MAKING LOVE AND ALL OF THAT. 628 00:16:54,967 --> 00:16:57,867 757s, PLEASE, HELP ME OUT. 629 00:16:57,867 --> 00:17:01,200 WHERE THE BLUE LIGHTS AT? 630 00:17:01,200 --> 00:17:02,700 UH. 631 00:17:02,700 --> 00:17:03,900 LATELY, MIMI AND I HAVE BEEN 632 00:17:03,900 --> 00:17:07,333 ARGUING A LOT, AND I WANT TO LET 633 00:17:07,333 --> 00:17:09,533 HER KNOW HOW I REALLY FEEL, SO I 634 00:17:09,533 --> 00:17:11,267 WROTE A SONG FOR HER IN HOPES 635 00:17:11,267 --> 00:17:12,200 THAT SHE'LL UNDERSTAND AND 636 00:17:12,200 --> 00:17:13,467 LISTEN TO ME. 637 00:17:13,467 --> 00:17:16,067 ♪ FIRST YOU, FIRST YOU 638 00:17:16,067 --> 00:17:17,267 ♪ FIRST YOU SCREAM 639 00:17:17,267 --> 00:17:18,467 ♪ WHEN I NEED TO CRY 640 00:17:18,467 --> 00:17:19,733 ♪ WHEN I COME BACK 641 00:17:19,733 --> 00:17:21,067 ♪ IF I TELL YOU THE TRUTH 642 00:17:21,067 --> 00:17:21,900 ♪ YOU DON'T WANT THAT ♪ 643 00:17:21,900 --> 00:17:23,467 * EVERYTHING I SAY IS A LIE 644 00:17:23,467 --> 00:17:24,400 ♪ SO I LIE 645 00:17:24,400 --> 00:17:25,633 * ARE YOU GONNA BE 'ROUND ♪ 646 00:17:25,633 --> 00:17:27,100 ♪ TO HELP ME GET BY 647 00:17:27,100 --> 00:17:28,100 * I DON'T SEE NO LOVE ♪ 648 00:17:28,100 --> 00:17:29,600 ♪ WHEN I LOOK IN YOUR EYES 649 00:17:29,600 --> 00:17:30,867 * AND I FEEL EMPTY 650 00:17:30,867 --> 00:17:32,200 ♪ WHEN I SEE YOU CRY 651 00:17:32,200 --> 00:17:34,967 * AIN'T IN LOVE NO MORE ♪ 652 00:17:34,967 --> 00:17:35,867 * I WANT TO TELL YOU THIS 653 00:17:35,867 --> 00:17:37,167 ♪ RIGHT HERE 654 00:17:37,167 --> 00:17:39,600 ♪ 'CAUSE I CAN'T GO ON ♪ 655 00:17:39,600 --> 00:17:43,200 ♪ LIVING WITH YOU 656 00:17:43,200 --> 00:17:47,133 ♪ NO MORE 657 00:17:47,133 --> 00:17:49,967 ♪ ALL THE ARGUING, CUSSING 658 00:17:49,967 --> 00:17:51,900 ♪ FUSSING, FIGHTING 659 00:17:51,900 --> 00:17:53,867 ♪ BRING RED AND BLUE 660 00:17:53,867 --> 00:17:58,767 ♪ RED AND BLUE LIGHTS 661 00:17:58,767 --> 00:18:00,333 YOU SICK OF THE ARGUING AND 662 00:18:00,333 --> 00:18:01,067 FUSSING AND FIGHT-- 663 00:18:01,067 --> 00:18:02,100 [bleep], IF YOU GONNA WRITE A 664 00:18:02,100 --> 00:18:04,067 SONG FOR ME, YOU BETTER WRITE 665 00:18:04,067 --> 00:18:05,300 SOME BETTER [bleep] THAN THAT. 666 00:18:05,300 --> 00:18:08,200 757s! 667 00:18:08,200 --> 00:18:09,067 MIMI! 668 00:18:09,067 --> 00:18:09,833 THE MAN STILL SAYS HE LOVES 669 00:18:09,833 --> 00:18:10,500 YOU, BY THE WAY. 670 00:18:10,500 --> 00:18:12,233 THAT'S STEVIE J. 671 00:18:12,233 --> 00:18:12,900 CAN YOU HEAR ME, MIMI? 672 00:18:12,900 --> 00:18:13,567 HUH? 673 00:18:13,567 --> 00:18:14,233 DID YOU HEAR ME? 674 00:18:14,233 --> 00:18:14,900 WHAT YOU SAY? 675 00:18:14,900 --> 00:18:15,733 HE SAYS HE LOVES YOU. 676 00:18:15,733 --> 00:18:16,967 HE JUST SAID HE LOVES YOU. 677 00:18:16,967 --> 00:18:18,067 WOW, WOW. 678 00:18:18,067 --> 00:18:18,800 YOU KNOW THE MEANING TO THE 679 00:18:18,800 --> 00:18:19,467 WORDS OF THE SONG. 680 00:18:19,467 --> 00:18:20,567 HE JUST TOLD ME TO TELL YOU HE 681 00:18:20,567 --> 00:18:21,500 LOVES YOU. 682 00:18:21,500 --> 00:18:23,500 THANK YOU. 683 00:18:29,233 --> 00:18:31,433 I THINK I WAS REAL CLEAR WHEN 684 00:18:31,433 --> 00:18:33,067 I SAID TO STEVIE, "THE ONLY TIME 685 00:18:33,067 --> 00:18:34,200 I WANT TO SEE YOU IS IN A 686 00:18:34,200 --> 00:18:36,067 THERAPIST'S OFFICE," SO HE 687 00:18:36,067 --> 00:18:37,600 BETTER HAVE A GOOD EXPLANATION 688 00:18:37,600 --> 00:18:38,433 FOR THIS. 689 00:18:38,433 --> 00:18:40,900 CAN I SQUEEZE THROUGH? 690 00:18:40,900 --> 00:18:45,067 YOU HURT ME TO THE CORE. 691 00:18:48,500 --> 00:18:50,467 I BRUNG UP THE CHILD SUPPORT 692 00:18:50,467 --> 00:18:51,233 SITUATION. 693 00:18:51,233 --> 00:18:52,133 OH, GOD. 694 00:18:52,133 --> 00:18:53,233 BUT I'M GONNA GET MY LAWYER, 695 00:18:53,233 --> 00:18:54,367 YOU FEEL ME? 696 00:18:54,367 --> 00:18:55,133 YOU'RE GONNA GET A LAWYER 697 00:18:55,133 --> 00:18:55,800 INVOLVED? 698 00:18:55,800 --> 00:18:56,600 I'M GONNA HAVE A LAWYER ON 699 00:18:56,600 --> 00:18:57,900 THE SIDE PREPARED. 700 00:18:57,900 --> 00:18:58,833 BOWLING? 701 00:18:58,833 --> 00:18:59,500 BOWLING. 702 00:18:59,500 --> 00:19:00,833 I'M A BEAST. 703 00:19:00,833 --> 00:19:02,400 I GOT MY OWN BALLS. 704 00:19:02,400 --> 00:19:03,200 I DON'T KNOW ABOUT YOUR OWN 705 00:19:03,200 --> 00:19:04,833 BALLS, BUT YOU GOT SOME NICE 706 00:19:04,833 --> 00:19:06,833 LIPS. 707 00:19:14,633 --> 00:19:15,467 I WAS SINGING MY HEART OUT 708 00:19:15,467 --> 00:19:16,667 FOR YOU. 709 00:19:16,667 --> 00:19:18,867 SINGING MY FACE OFF. 710 00:19:18,867 --> 00:19:20,867 I WROTE RED AND BLUE LIGHTS 711 00:19:20,867 --> 00:19:22,500 BECAUSE I WAS JUST SICK OF ALL 712 00:19:22,500 --> 00:19:23,767 THE ARGUING, FUSSING, AND 713 00:19:23,767 --> 00:19:25,067 FIGHTING THAT I GO THROUGH WITH 714 00:19:25,067 --> 00:19:26,200 MIMI, AND EVENTUALLY, IF THAT 715 00:19:26,200 --> 00:19:27,833 KEEPS UP, THE ONLY THING LEFT TO 716 00:19:27,833 --> 00:19:28,500 COME IS THE COPS. 717 00:19:28,500 --> 00:19:29,600 I DON'T WANT THAT. 718 00:19:29,600 --> 00:19:31,067 WAIT, WAIT, BEFORE YOU GO ON, 719 00:19:31,067 --> 00:19:33,067 SAY TO ME THE LYRICS OF THE 720 00:19:33,067 --> 00:19:33,667 SONG. 721 00:19:33,667 --> 00:19:35,067 "I CAN'T" WHAT? 722 00:19:35,067 --> 00:19:36,300 "GO ON LIVING WITH YOU NO 723 00:19:36,300 --> 00:19:37,567 MORE", BECAUSE-- 724 00:19:37,567 --> 00:19:40,567 "I CAN'T GO ON LIVING WITH 725 00:19:40,567 --> 00:19:41,333 YOU NO MORE." 726 00:19:41,333 --> 00:19:42,067 'CAUSE ALL THE-- 727 00:19:42,067 --> 00:19:43,100 SHH, STOP. 728 00:19:43,100 --> 00:19:44,133 GO AHEAD, AND WHAT'S THE REST OF 729 00:19:44,133 --> 00:19:44,800 THE LYRICS? 730 00:19:44,800 --> 00:19:46,200 "ALL THE ARGUING, FUSSING, 731 00:19:46,200 --> 00:19:47,567 FIGHTING BRING RED AND BLUE 732 00:19:47,567 --> 00:19:48,600 LIGHTS." 733 00:19:48,600 --> 00:19:50,300 THAT'S BECAUSE ALL WE DOIN' 734 00:19:50,300 --> 00:19:51,267 RIGHT NOW IS ARGUING AND FUSSING 735 00:19:51,267 --> 00:19:51,933 AND FIGHTING. 736 00:19:51,933 --> 00:19:53,433 I'M NOT SAYING I DON'T WANT TO 737 00:19:53,433 --> 00:19:54,100 BE WITH YOU. 738 00:19:54,100 --> 00:19:55,400 I WANT TO BE WITH YOU. 739 00:19:55,400 --> 00:19:56,400 OKAY, CAN I ASK YOU A 740 00:19:56,400 --> 00:19:57,267 QUESTION? 741 00:19:57,267 --> 00:19:59,200 YOU CAN ASK ME WHAT YOU LIKE. 742 00:19:59,200 --> 00:20:00,900 I KNOW I CAN ASK YOU, BUT THE 743 00:20:00,900 --> 00:20:02,667 ANSWER I GET IS A TOTALLY 744 00:20:02,667 --> 00:20:05,167 DIFFERENT BALL GAME. 745 00:20:05,167 --> 00:20:07,467 I WANT TO KNOW WHAT MADE YOU 746 00:20:07,467 --> 00:20:09,267 STRAY IN THE FIRST PLACE. 747 00:20:09,267 --> 00:20:11,300 YOU KNOW WHAT HAPPENED. 748 00:20:11,300 --> 00:20:11,967 EXCUSE ME? 749 00:20:11,967 --> 00:20:12,800 LET'S NOT GET INTO ALL THAT. 750 00:20:12,800 --> 00:20:13,800 NO, I WANT TO GET INTO IT. 751 00:20:13,800 --> 00:20:14,867 WHY WE GETTING INTO THAT? 752 00:20:14,867 --> 00:20:15,833 OKAY, SO EITHER WE GET INTO 753 00:20:15,833 --> 00:20:16,533 IT NOW OR WE GET INTO IT IN 754 00:20:16,533 --> 00:20:17,200 THERAPY. 755 00:20:17,200 --> 00:20:18,033 WHEN IS THE THERAPY? 756 00:20:18,033 --> 00:20:19,467 CAN WE FIGURE THAT OUT, BECAUSE 757 00:20:19,467 --> 00:20:20,700 I'M NOT ABOUT TO BEEF WITH YOU 758 00:20:20,700 --> 00:20:21,600 ANYMORE. 759 00:20:21,600 --> 00:20:23,767 I CAN'T DO IT. 760 00:20:23,767 --> 00:20:26,167 I CANNOT DO IT. 761 00:20:26,167 --> 00:20:27,433 I DON'T EVEN KNOW HOW TO FEEL AT 762 00:20:27,433 --> 00:20:28,167 THIS POINT. 763 00:20:28,167 --> 00:20:30,733 IT'S LIKE, I WANT TO DO WHAT I 764 00:20:30,733 --> 00:20:32,733 CAN TO MAKE HER HAPPY AGAIN. 765 00:20:35,500 --> 00:20:37,600 I CAN'T JUST HAVE YOU SCREAMING 766 00:20:37,600 --> 00:20:38,633 AT ME EVERY TIME WE TALK. 767 00:20:38,633 --> 00:20:39,900 THAT [bleep] IS WACK. 768 00:20:39,900 --> 00:20:40,767 LIKE, [bleep]. 769 00:20:40,767 --> 00:20:41,433 THAT DON'T FEEL RIGHT. 770 00:20:41,433 --> 00:20:42,300 I DON'T THINK YOU UNDERSTAND 771 00:20:42,300 --> 00:20:43,967 HOW YOU HURT ME-- 772 00:20:43,967 --> 00:20:45,567 I REALLY DON'T-- 773 00:20:45,567 --> 00:20:49,367 AS YOU CARRY ON WITH YOUR LIFE, 774 00:20:49,367 --> 00:20:51,500 AND YOU ARE HERE AND THERE, AND 775 00:20:51,500 --> 00:20:53,200 YOU'RE AT REHEARSAL, AND YOU'RE 776 00:20:53,200 --> 00:20:55,333 MANAGING THIS ONE AND THAT ONE, 777 00:20:55,333 --> 00:20:56,867 AND I'M AT HOME WITH A BABY BY 778 00:20:56,867 --> 00:20:57,567 MYSELF. 779 00:20:57,567 --> 00:21:03,333 YOU HURT ME TO THE CORE. 780 00:21:03,333 --> 00:21:05,100 I DON'T THINK YOU UNDERSTAND 781 00:21:05,100 --> 00:21:07,167 THAT. 782 00:21:10,400 --> 00:21:14,367 I REALLY DON'T. 783 00:21:14,367 --> 00:21:17,333 I'D DO ANYTHING TO FIX IT. 784 00:21:17,333 --> 00:21:18,367 YOU SAY THAT. 785 00:21:18,367 --> 00:21:19,567 I'D DO ANYTHING TO FIX IT. 786 00:21:19,567 --> 00:21:22,767 I SWEAR... 787 00:21:26,200 --> 00:21:28,200 IF YOU'LL LET ME. 788 00:21:31,400 --> 00:21:33,400 I LOVE YOU. 789 00:21:49,733 --> 00:21:53,167 LET'S GET OUT OF HERE. 790 00:21:53,167 --> 00:21:55,433 LET'S GO. 791 00:22:09,600 --> 00:22:11,600 I HELPED YOU WITH THAT. 792 00:22:20,167 --> 00:22:20,933 YOU WANT TO TAKE THAT NOTHER 793 00:22:20,933 --> 00:22:21,600 LITTLE PULL, YOU KNOW? 794 00:22:21,600 --> 00:22:24,933 NO, NOT YET? 795 00:22:24,933 --> 00:22:26,167 GIVE ME A MINUTE. 796 00:22:26,167 --> 00:22:28,067 WHEN I HAVE A BAD DAY, I BE 797 00:22:28,067 --> 00:22:28,800 CHILLIN', YOU KNOW WHAT I'M 798 00:22:28,800 --> 00:22:29,733 SAYIN', DOIN' MY LITTLE 799 00:22:29,733 --> 00:22:30,567 THIZ-NI-EY. 800 00:22:30,567 --> 00:22:31,433 YOU FEEL ME? 801 00:22:31,433 --> 00:22:32,467 I DON'T HOLLER AT NOBODY BUT 802 00:22:32,467 --> 00:22:33,167 SHAY. 803 00:22:33,167 --> 00:22:34,300 WHAT'S GOING ON, BABY? 804 00:22:34,300 --> 00:22:35,867 NOTHIN', JUST GOT THROUGH 805 00:22:35,867 --> 00:22:37,467 TALKING WITH THE "B." 806 00:22:37,467 --> 00:22:38,967 YOU KNOW, THE BABY MAMA. 807 00:22:38,967 --> 00:22:40,167 EVERYTHING OKAY? 808 00:22:40,167 --> 00:22:41,367 I TOLD HER, YOU KNOW, I AIN'T 809 00:22:41,367 --> 00:22:42,933 WANT TO BE THERE NO MORE. 810 00:22:42,933 --> 00:22:43,600 YOU FEEL ME? 811 00:22:43,600 --> 00:22:44,567 I AIN'T WANT TO BE THERE, AND I 812 00:22:44,567 --> 00:22:45,667 THOUGHT IT WAS GOOD TO TELL HER, 813 00:22:45,667 --> 00:22:47,067 SO I WAS, LIKE, YOU KNOW, 814 00:22:47,067 --> 00:22:47,833 "LET ME GO OVER THERE, HOLLER. 815 00:22:47,833 --> 00:22:49,267 I GOT TO GET MY COUCHES AND 816 00:22:49,267 --> 00:22:51,233 STUFF, ANYWAY, AND OTHER STUFF." 817 00:22:51,233 --> 00:22:51,900 YOU FEEL ME? 818 00:22:51,900 --> 00:22:52,833 BUT SHE GOT A LITTLE HASTY. 819 00:22:52,833 --> 00:22:53,500 YOU FEEL ME? 820 00:22:53,500 --> 00:22:54,833 GOT A LITTLE OUT OF CONTROL. 821 00:22:54,833 --> 00:22:55,800 WHY? 822 00:22:55,800 --> 00:22:57,633 BECAUSE I BRUNG UP THE CHILD 823 00:22:57,633 --> 00:22:59,200 SUPPORT SITUATION. 824 00:22:59,200 --> 00:23:01,067 OH, GOD, RIGHT AFTER THAT, 825 00:23:01,067 --> 00:23:01,867 YOU BROUGHT UP CHILD SUPPORT. 826 00:23:01,867 --> 00:23:03,067 NO, NO, NO, 'CAUSE SHE-- 827 00:23:03,067 --> 00:23:04,233 NO, NO, NO, 'CAUSE SHE SAID SHE 828 00:23:04,233 --> 00:23:04,900 WAS GONNA DO IT. 829 00:23:04,900 --> 00:23:05,567 YOU FEEL ME? 830 00:23:05,567 --> 00:23:06,667 SHE BEEN SAID SHE WAS GONNA DO 831 00:23:06,667 --> 00:23:09,133 IT, LIKE, EVEN AFTER ME AND 832 00:23:09,133 --> 00:23:10,867 DIAMOND BROKE UP. 833 00:23:10,867 --> 00:23:12,067 AND WHY IS SHE NOT SIGNING 834 00:23:12,067 --> 00:23:13,833 THE CHILD SUPPORT PAPERS? 835 00:23:13,833 --> 00:23:15,700 THAT'S THE ONLY THING SHE GOT 836 00:23:15,700 --> 00:23:18,133 TO HOLD ME, AND, YOU KNOW WHAT 837 00:23:18,133 --> 00:23:18,800 I'M SAYIN'? 838 00:23:18,800 --> 00:23:20,233 KIND OF--YOU KNOW, KIND OF 839 00:23:20,233 --> 00:23:22,067 JUST MAKE ME, YOU KNOW-- 840 00:23:22,067 --> 00:23:22,700 WHAT WAS THE DEAL? 841 00:23:22,700 --> 00:23:24,067 TELL ME WHAT THE DEAL WAS. 842 00:23:24,067 --> 00:23:25,167 SHE SIGNED THE CHILD SUPPORT 843 00:23:25,167 --> 00:23:26,467 PAPERS IF YOU... 844 00:23:26,467 --> 00:23:27,367 NOW, I DONE MADE AN AGREEMENT 845 00:23:27,367 --> 00:23:28,900 WITH ERICA THAT IF I GIVE HER 846 00:23:28,900 --> 00:23:30,767 A LUMP SUM, THEN SHORTY GONNA 847 00:23:30,767 --> 00:23:32,233 TAKE ME OFF CHILD SUPPORT. 848 00:23:32,233 --> 00:23:33,167 THE NUMBER WOULD'VE BEEN THE 849 00:23:33,167 --> 00:23:34,633 SAME, YOU FEEL ME? 850 00:23:34,633 --> 00:23:36,167 EXCEPT IT WOULD'VE BEEN COMING 851 00:23:36,167 --> 00:23:38,667 CASH OUT, CASH OUT, CASH OUT 852 00:23:38,667 --> 00:23:40,167 AND JUST CUT THE HEADACHE OUT 853 00:23:40,167 --> 00:23:41,433 FOR ME, YOU FEEL ME? 854 00:23:41,433 --> 00:23:43,400 SHE'S GETTING A CHECK AND STILL, 855 00:23:43,400 --> 00:23:45,433 I WAS GONNA LOOK OUT FOR HER 856 00:23:45,433 --> 00:23:46,167 WHEN SHE NEEDED IT. 857 00:23:46,167 --> 00:23:46,800 RIGHT. 858 00:23:46,800 --> 00:23:47,633 I THINK SHE BOGUS. 859 00:23:47,633 --> 00:23:48,300 SO YOU DID WHAT YOU WERE 860 00:23:48,300 --> 00:23:49,067 SUPPOSED TO DO. 861 00:23:49,067 --> 00:23:49,733 I DID WHAT I WAS SUPPOSED 862 00:23:49,733 --> 00:23:50,400 TO DO. 863 00:23:50,400 --> 00:23:51,667 I WENT AND GOT ME AN ACCOUNT FOR 864 00:23:51,667 --> 00:23:52,533 EMANI. 865 00:23:52,533 --> 00:23:54,367 PUT THE 3,000 ON THE ACCOUNT. 866 00:23:54,367 --> 00:23:56,067 SHE WANT IT IN HER ACCOUNT. 867 00:23:56,067 --> 00:23:57,300 IT'S NOT GONNA HAPPEN. 868 00:23:57,300 --> 00:23:58,067 YOU KNOW WHAT I'M SAYIN'? 869 00:23:58,067 --> 00:23:58,833 SO I WAS LIKE, YOU KNOW WHAT? 870 00:23:58,833 --> 00:23:59,867 I'M GONNA GET MY LAWYER, 871 00:23:59,867 --> 00:24:00,833 YOU FEEL ME? 872 00:24:00,833 --> 00:24:01,600 YOU'RE GONNA GET A LAWYER 873 00:24:01,600 --> 00:24:02,267 INVOLVED? 874 00:24:02,267 --> 00:24:03,067 I'M GONNA HAVE A LAWYER ON 875 00:24:03,067 --> 00:24:04,400 THE SIDE PREPARED. 876 00:24:04,400 --> 00:24:05,400 THAT'S DEFINITELY GONNA PUT 877 00:24:05,400 --> 00:24:06,433 HER ON A DIFFERENT LEVEL, 'CAUSE 878 00:24:06,433 --> 00:24:07,267 NOW SHE GONNA REALLY FEEL 879 00:24:07,267 --> 00:24:08,133 DISRESPECTED THAT YOU DIDN'T 880 00:24:08,133 --> 00:24:09,700 COME TO HER, AND NOW YOU GOT-- 881 00:24:09,700 --> 00:24:11,133 TAKE THAT SHOT, YOU KNOW? 882 00:24:11,133 --> 00:24:12,300 TAKE THAT SHOT, BABY. 883 00:24:12,300 --> 00:24:14,633 I WANT YOU TO. 884 00:24:14,633 --> 00:24:17,967 I LOVE IT WHEN YOU GET THERE. 885 00:24:17,967 --> 00:24:19,667 YEAH, TURNING ME ON. 886 00:24:19,667 --> 00:24:21,067 BUT HONESTLY, I'M GONNA TELL 887 00:24:21,067 --> 00:24:21,700 YOU THIS: 888 00:24:21,700 --> 00:24:22,767 I DON'T WANT YOU THEM PEOPLE 889 00:24:22,767 --> 00:24:26,400 INVOLVED: LAWYERS, POLICE, 890 00:24:26,400 --> 00:24:28,167 [bleep] CHILD SUPPORT INDIVIDUAL 891 00:24:28,167 --> 00:24:29,267 MOTHER[bleep] COMING UP IN 892 00:24:29,267 --> 00:24:30,067 Y'ALL-- 893 00:24:30,067 --> 00:24:30,833 IT'S JUST NOT WORTH IT. 894 00:24:30,833 --> 00:24:32,167 I THINK YOU TWO CAN WORK IT OUT, 895 00:24:32,167 --> 00:24:33,233 REGARDLESS IF YOU'RE TOGETHER OR 896 00:24:33,233 --> 00:24:33,933 NOT. 897 00:24:33,933 --> 00:24:34,933 YOU KNOW WHAT I MEAN? 898 00:24:34,933 --> 00:24:36,233 I LIKE IT THAT YOU'RE JUST SO 899 00:24:36,233 --> 00:24:37,233 THERE FOR ME. 900 00:24:37,233 --> 00:24:38,500 [laughing] 901 00:24:38,500 --> 00:24:39,767 YOU FEEL ME? 902 00:24:39,767 --> 00:24:41,767 GIVE ME A KISS. 903 00:24:44,500 --> 00:24:46,200 * WICKED 904 00:24:46,200 --> 00:24:48,867 * YO, BOW WOW 905 00:24:48,867 --> 00:24:50,567 ♪ YOU KNOW 906 00:24:50,567 --> 00:24:54,067 ♪ UNDERCOVER MISSION 907 00:24:54,067 --> 00:24:56,600 ♪ YEAH, MAN 908 00:24:56,600 --> 00:24:57,733 ♪ ALL RIGHT 909 00:24:57,733 --> 00:24:59,600 A LOT OF GUYS TRY TO DATE ME. 910 00:24:59,600 --> 00:25:01,267 THAT HAS NEVER BEEN THE PROBLEM 911 00:25:01,267 --> 00:25:02,067 IN THE SITUATION. 912 00:25:02,067 --> 00:25:02,767 HOW YOU DOIN'? 913 00:25:02,767 --> 00:25:03,433 HEY. 914 00:25:03,433 --> 00:25:04,267 DOING ALL RIGHT? 915 00:25:04,267 --> 00:25:05,067 HOW ARE YOU? 916 00:25:05,067 --> 00:25:07,067 THE PROBLEM HAS BEEN FINDING A 917 00:25:07,067 --> 00:25:09,100 MAN WITH SOME STANDARDS WHO'S 918 00:25:09,100 --> 00:25:10,667 FUN, GOT A LITTLE ROUGHNECK 919 00:25:10,667 --> 00:25:11,333 IN HIM. 920 00:25:11,333 --> 00:25:12,133 YOU KNOW WHAT I'M SAYIN'? 921 00:25:12,133 --> 00:25:13,400 THAT CAN PICK ME UP, PUT ME 922 00:25:13,400 --> 00:25:14,300 AGAINST THE WALL, YOU KNOW, 923 00:25:14,300 --> 00:25:15,667 WITHOUT HEAD BANGING YOU. 924 00:25:15,667 --> 00:25:17,800 YOU KNOW, STUFF LIKE THAT. 925 00:25:17,800 --> 00:25:18,967 I KNOW YOU LIKE ME GOING 926 00:25:18,967 --> 00:25:19,900 THROUGH TEXT, BUT WHAT YOU 927 00:25:19,900 --> 00:25:20,633 LOOKIN' FOR? 928 00:25:20,633 --> 00:25:21,933 THAT'S THE QUESTION. 929 00:25:21,933 --> 00:25:23,167 WHAT AM I LOOKING FOR? 930 00:25:23,167 --> 00:25:24,200 YEAH, YEAH, YEAH. 931 00:25:24,200 --> 00:25:25,567 I JUST LIKE TO HAVE FUN. 932 00:25:25,567 --> 00:25:26,500 YOU KNOW WHAT I'M SAYIN'? 933 00:25:26,500 --> 00:25:27,433 LIKE, I DON'T LIKE A LOT OF 934 00:25:27,433 --> 00:25:28,400 DRAMA. 935 00:25:28,400 --> 00:25:29,533 A LOT OF DRAMA IS GOOD IF THE 936 00:25:29,533 --> 00:25:32,167 DRAMA IS GONNA LEAD TO HOT SEX. 937 00:25:32,167 --> 00:25:33,167 YOU KNOW, THAT KIND OF, YOU 938 00:25:33,167 --> 00:25:34,467 KNOW, BALANCES OUT THE DAY. 939 00:25:34,467 --> 00:25:36,067 THAT'S A BIG PROCESS. 940 00:25:36,067 --> 00:25:38,167 WHERE ARE YOU, LIKE, AS FAR AS 941 00:25:38,167 --> 00:25:39,167 DATING, LIKE-- 942 00:25:39,167 --> 00:25:40,233 YOU GOT YOUR LITTLE TIGHT SHIRT 943 00:25:40,233 --> 00:25:41,267 ON, NOW. 944 00:25:41,267 --> 00:25:43,567 YOU--YOU GOT YOUR LITTLE-- 945 00:25:43,567 --> 00:25:44,933 YOU GOT YOUR LITTLE SHIRT. 946 00:25:44,933 --> 00:25:47,467 YOU GOT YOUR LITTLE THING ON 947 00:25:47,467 --> 00:25:48,300 RIGHT HERE. 948 00:25:48,300 --> 00:25:49,633 YOU DON'T LIKE IT, NO? 949 00:25:49,633 --> 00:25:51,333 I THINK YOU'RE PRETTY HOT AND 950 00:25:51,333 --> 00:25:52,433 TEMPTING. 951 00:25:52,433 --> 00:25:53,733 MM, PHAT, HUH? 952 00:25:53,733 --> 00:25:54,600 YOU DIDN'T THINK I KNEW WHAT 953 00:25:54,600 --> 00:25:55,400 THAT MEANT. 954 00:25:55,400 --> 00:25:56,600 I DIDN'T SAY PHAT. 955 00:25:56,600 --> 00:25:57,933 YEAH, "THAT'S PRETTY HOT AND 956 00:25:57,933 --> 00:25:58,633 TEMPTING." 957 00:25:58,633 --> 00:26:00,067 THAT'S AN ACRONYM FOR PHAT. 958 00:26:00,067 --> 00:26:01,867 I THINK YOU'RE OKAY. 959 00:26:01,867 --> 00:26:02,833 LIKEWISE. 960 00:26:02,833 --> 00:26:03,600 I THINK WE CAN DO SOMETHING. 961 00:26:03,600 --> 00:26:06,067 LICK YOUR LIPS. 962 00:26:06,067 --> 00:26:06,933 LL COOL J DO IT. 963 00:26:06,933 --> 00:26:08,633 I'M GONNA LICK 'EM LATER. 964 00:26:08,633 --> 00:26:10,367 LL COOL J DO THAT. 965 00:26:10,367 --> 00:26:13,633 [groans] 966 00:26:13,633 --> 00:26:15,367 YOU ALL RIGHT. 967 00:26:15,367 --> 00:26:18,300 UH, UH. 968 00:26:18,300 --> 00:26:19,233 YAH. 969 00:26:19,233 --> 00:26:20,167 YOU LIKE IT? 970 00:26:20,167 --> 00:26:21,067 YOU STRAIGHT. 971 00:26:21,067 --> 00:26:21,700 SO... 972 00:26:21,700 --> 00:26:22,533 IT'S TIME TO GO WATCH THE 973 00:26:22,533 --> 00:26:24,367 GAME. 974 00:26:24,367 --> 00:26:27,500 WE CAN WATCH THE GAME. 975 00:26:27,500 --> 00:26:29,633 AND THEN WE CAN DO SOMETHING 976 00:26:29,633 --> 00:26:31,233 COMPETITIVE. 977 00:26:31,233 --> 00:26:33,400 I LIKE TO WIN. 978 00:26:33,400 --> 00:26:34,367 BOWLING? 979 00:26:34,367 --> 00:26:35,200 BOWLING. 980 00:26:35,200 --> 00:26:35,867 I GOT YOU. 981 00:26:35,867 --> 00:26:37,567 I'M A BEAST. 982 00:26:37,567 --> 00:26:39,067 I GOT MY OWN BALLS. 983 00:26:39,067 --> 00:26:40,067 I DON'T KNOW ABOUT YOUR OWN 984 00:26:40,067 --> 00:26:43,600 BALLS, BUT YOU GOT SOME NICE 985 00:26:43,600 --> 00:26:44,367 LIPS. 986 00:26:44,367 --> 00:26:45,367 YOU LIKE MY LIPS? 987 00:26:45,367 --> 00:26:46,900 YEAH. 988 00:26:46,900 --> 00:26:47,800 * COME ON, SEXY GIRL 989 00:26:47,800 --> 00:26:49,200 ♪ GIVE ME A GOOD KISS 990 00:26:49,200 --> 00:26:50,900 ♪ BOOM SHOT THIS 991 00:26:50,900 --> 00:26:51,733 ♪ NOT TO MISS 992 00:26:51,733 --> 00:26:52,800 ♪ A MAN WANT THIS 993 00:26:52,800 --> 00:26:54,200 ♪ CATCH UP IN ME FIST 994 00:26:54,200 --> 00:26:55,433 ♪ CAME ACROSS 995 00:26:55,433 --> 00:26:56,700 ♪ WHO IS WHEN THEM CRISP 996 00:26:56,700 --> 00:26:57,700 ♪ COME ON, SEXY GIRL 997 00:26:57,700 --> 00:27:00,067 ♪ GIVE ME A GOOD KISS 998 00:27:00,067 --> 00:27:01,367 I DON'T CARE IF YOU DRIBBLE A 999 00:27:01,367 --> 00:27:02,233 BALL OR IF YOU PLAY WITH YOUR 1000 00:27:02,233 --> 00:27:02,833 BALLS. 1001 00:27:02,833 --> 00:27:03,633 BUT YOU GOT TO KNOW BEFORE 1002 00:27:03,633 --> 00:27:04,333 YOU GO INTO IT. 1003 00:27:04,333 --> 00:27:05,533 THE TYPE OF GUYS THAT YOU DATE 1004 00:27:05,533 --> 00:27:07,233 AIN'T GONNA GIVE YOU 100. 1005 00:27:07,233 --> 00:27:08,067 I WANT YOU TO OWN IT. 1006 00:27:08,067 --> 00:27:09,067 I'M NOT TRYING TO BEAT YOU UP. 1007 00:27:09,067 --> 00:27:09,800 I WANT YOU TO OWN WHAT YOU'VE 1008 00:27:09,800 --> 00:27:10,467 DONE. 1009 00:27:10,467 --> 00:27:11,667 I OWN THAT I'VE LIED. 1010 00:27:11,667 --> 00:27:13,833 I OWN THAT I--YEAH, I'M A LIAR. 1011 00:27:27,733 --> 00:27:29,600 KARLIE MEANS A LOT TO ME. 1012 00:27:29,600 --> 00:27:31,200 AND WHEN I TOLD HER THAT, YOU 1013 00:27:31,200 --> 00:27:32,333 KNOW, I KNOW YOU, IT'S NOT LIKE 1014 00:27:32,333 --> 00:27:33,067 SHE DIDN'T BELIEVE ME. 1015 00:27:33,067 --> 00:27:33,767 SHE WAS LIKE, "WHY, YOU KNOW 1016 00:27:33,767 --> 00:27:34,500 VINCE HERBERT?" 1017 00:27:34,500 --> 00:27:35,533 I WAS LIKE, "THAT'S MY MAN. 1018 00:27:35,533 --> 00:27:36,233 THAT'S MY BROTHER." 1019 00:27:36,233 --> 00:27:36,900 VINCENT HERBERT. 1020 00:27:36,900 --> 00:27:38,067 NOW, Y'ALL KNOW VINCENT HERBERT 1021 00:27:38,067 --> 00:27:40,367 FROM LADY GAGA, 1022 00:27:40,367 --> 00:27:43,067 MINDLESS BEHAVIOR, 1023 00:27:43,067 --> 00:27:45,700 BRAXTONS. 1024 00:27:45,700 --> 00:27:48,500 [clucks tongue] 1025 00:27:48,500 --> 00:27:49,667 EXACTLY. 1026 00:27:49,667 --> 00:27:50,533 THE MUSIC SOUND GOOD THAT YOU 1027 00:27:50,533 --> 00:27:51,200 SENT ME. 1028 00:27:51,200 --> 00:27:51,867 WORD. 1029 00:27:51,867 --> 00:27:52,767 IT SOUNDS REALLY GOOD. 1030 00:27:52,767 --> 00:27:55,067 AH, V-ZO. 1031 00:27:55,067 --> 00:27:56,700 [laughs] 1032 00:27:56,700 --> 00:27:57,433 HELLO. 1033 00:27:57,433 --> 00:27:58,533 OH, WHAT'S UP, BABE? 1034 00:27:58,533 --> 00:27:59,200 HI, BABE. 1035 00:27:59,200 --> 00:28:00,067 YOU LOOK GOOD. 1036 00:28:00,067 --> 00:28:01,100 THANK YOU. 1037 00:28:01,100 --> 00:28:02,433 BENZINO SETTING UP THIS MEETING 1038 00:28:02,433 --> 00:28:03,933 WITH ME AND VINCENT HERBERT IS A 1039 00:28:03,933 --> 00:28:05,500 HUGE DEAL FOR ME. 1040 00:28:05,500 --> 00:28:07,667 THAT'S LADY GAGA'S MANAGER. 1041 00:28:07,667 --> 00:28:10,833 HE'S, LIKE, MAN. 1042 00:28:10,833 --> 00:28:12,967 CAN YOU MANAGE ME? 1043 00:28:12,967 --> 00:28:14,067 YOU REALLY FEEL LIKE THIS 1044 00:28:14,067 --> 00:28:15,500 IS SOMETHING YOU REALLY YOU GOT 1045 00:28:15,500 --> 00:28:16,200 TO DO? 1046 00:28:16,200 --> 00:28:17,067 IT BURNS THROUGH YOUR STOMACH 1047 00:28:17,067 --> 00:28:18,433 WHEN YOU THINK ABOUT YOUR CAREER 1048 00:28:18,433 --> 00:28:19,100 AND YOUR MUSIC? 1049 00:28:19,100 --> 00:28:20,233 OH, MY GOSH. 1050 00:28:20,233 --> 00:28:22,100 FAILURE IS NOT AN OPTION. 1051 00:28:22,100 --> 00:28:23,200 SHE JUST NEEDS THAT ONE-- 1052 00:28:23,200 --> 00:28:24,067 YOU KNOW WHAT I'M SAYIN', V.? 1053 00:28:24,067 --> 00:28:26,067 YOU KNOW, YOU THE TOP HIT-MAKER 1054 00:28:26,067 --> 00:28:27,767 OUT HERE, REALLY, RIGHT NOW, SO 1055 00:28:27,767 --> 00:28:28,667 I KNOW ONCE YOU PUT HER IN THE 1056 00:28:28,667 --> 00:28:30,700 STUDIO, YOU KNOW, WITH YOUR GUYS 1057 00:28:30,700 --> 00:28:32,067 THAT SHE'LL BE ABLE TO POP. 1058 00:28:32,067 --> 00:28:33,200 WELL, I LOVE WHAT I-- 1059 00:28:33,200 --> 00:28:33,867 YOU KNOW, WHAT I HEARD. 1060 00:28:33,867 --> 00:28:34,833 I PLAYED HIM JOINT. 1061 00:28:34,833 --> 00:28:35,933 PLAYED THE JOINT. 1062 00:28:35,933 --> 00:28:36,933 I SENT YOU TWO SONGS. 1063 00:28:36,933 --> 00:28:37,767 WELL, I PLAYED 'EM. 1064 00:28:37,767 --> 00:28:38,700 HE SAID, YOU KNOW, HE LOVED HIM, 1065 00:28:38,700 --> 00:28:39,700 SO, YOU KNOW. 1066 00:28:39,700 --> 00:28:40,567 OH, WOW, THANK YOU. 1067 00:28:40,567 --> 00:28:41,433 YEAH, IT SOUNDS REALLY, 1068 00:28:41,433 --> 00:28:42,100 REALLY GOOD. 1069 00:28:42,100 --> 00:28:43,300 YEAH, I'M SAYIN' NO ONE'S DOING 1070 00:28:43,300 --> 00:28:43,967 WHAT YOU'RE DOING. 1071 00:28:43,967 --> 00:28:44,633 IT'S HOT. 1072 00:28:44,633 --> 00:28:45,567 SO YOU TAKE THAT. 1073 00:28:45,567 --> 00:28:46,467 YOU PUT A LITTLE SINGING IN THE 1074 00:28:46,467 --> 00:28:47,200 HOOK. 1075 00:28:47,200 --> 00:28:48,067 YOU DO BOTH OF THOSE. 1076 00:28:48,067 --> 00:28:50,500 YOU'RE CREATING A NEW ERA OF 1077 00:28:50,500 --> 00:28:52,200 MUSIC FOR THE NEW GENERATION. 1078 00:28:52,200 --> 00:28:53,700 MAN, THE MEETING'S GOING 1079 00:28:53,700 --> 00:28:54,500 PERFECT. 1080 00:28:54,500 --> 00:28:55,500 YOU KNOW, VINCE HEARD HER MUSIC 1081 00:28:55,500 --> 00:28:56,567 AND, YOU KNOW, HE STARTS 1082 00:28:56,567 --> 00:28:57,800 COMPLIMENTING HER, AND I WAS 1083 00:28:57,800 --> 00:28:59,800 LIKE, "OH, MAN." 1084 00:28:59,800 --> 00:29:00,800 I WAS HAPPY. 1085 00:29:00,800 --> 00:29:02,100 I WOULD LOVE FOR YOU TO GO IN 1086 00:29:02,100 --> 00:29:03,167 THE STUDIO WITH MY PRODUCERS-- 1087 00:29:03,167 --> 00:29:05,333 THE GUYS, THE INTERNS WITH THE 1088 00:29:05,333 --> 00:29:07,833 RIHANNA RECORD AND BIG SEAN 1089 00:29:07,833 --> 00:29:09,600 RECORD--AND SEE IF WE CAN COME 1090 00:29:09,600 --> 00:29:11,133 OUT WITH SOME GREAT STUFF. 1091 00:29:11,133 --> 00:29:12,600 THANK YOU SO MUCH. 1092 00:29:12,600 --> 00:29:14,133 YOU HAVE NO IDEA WHAT THAT MEANS 1093 00:29:14,133 --> 00:29:15,367 TO ME. 1094 00:29:15,367 --> 00:29:16,500 YOU'RE A PART OF RAY'S LIFE. 1095 00:29:16,500 --> 00:29:17,400 THAT MEANS YOU'RE A PART OF MY 1096 00:29:17,400 --> 00:29:18,733 LIFE, SO THAT'S FAMILY. 1097 00:29:18,733 --> 00:29:20,067 WHOO, THAT'S WHAT I'M TALKIN' 1098 00:29:20,067 --> 00:29:20,733 ABOUT. 1099 00:29:20,733 --> 00:29:21,533 [clucks tongue] 1100 00:29:21,533 --> 00:29:23,433 SEE, MALCOLM, I TOLD YOU. 1101 00:29:23,433 --> 00:29:24,833 I TOLD YOU BENZINO WOULD SUPPORT 1102 00:29:24,833 --> 00:29:25,533 MY CAREER. 1103 00:29:25,533 --> 00:29:26,633 I TOLD YOU HE WOULD HELP WITH MY 1104 00:29:26,633 --> 00:29:27,300 CAREER. 1105 00:29:27,300 --> 00:29:28,800 I GUESS HE AIN'T SO COLD NO 1106 00:29:28,800 --> 00:29:29,533 MORE. 1107 00:29:29,533 --> 00:29:30,200 THANK YOU, BABY. 1108 00:29:30,200 --> 00:29:31,067 THAT'S WHAT'S UP, BABY. 1109 00:29:31,067 --> 00:29:32,500 I APPRECIATE IT. 1110 00:29:32,500 --> 00:29:33,200 DEFINITELY. 1111 00:29:33,200 --> 00:29:34,400 ALL RIGHT, I'M GONNA LET OUT. 1112 00:29:34,400 --> 00:29:36,400 HEY. 1113 00:29:39,067 --> 00:29:39,800 JACK DANIELS? 1114 00:29:39,800 --> 00:29:41,367 ABSOLUTELY. 1115 00:29:41,367 --> 00:29:42,600 YOU ALREADY KNOW WHAT I WANT. 1116 00:29:42,600 --> 00:29:43,767 ABSOLUTELY, ABSOLUTELY. 1117 00:29:43,767 --> 00:29:45,167 MY DATE WITH STEVIE WAS 1118 00:29:45,167 --> 00:29:47,600 GREAT, BUT I STILL WASN'T REALLY 1119 00:29:47,600 --> 00:29:48,333 FEELING HIM. 1120 00:29:48,333 --> 00:29:49,700 SOMETHING WAS MISSING. 1121 00:29:49,700 --> 00:29:50,967 SO I WANTED TO HAVE A 1122 00:29:50,967 --> 00:29:51,933 CONVERSATION WITH MY 1123 00:29:51,933 --> 00:29:55,067 EX-BOYFRIEND FROM COLLEGE TO SEE 1124 00:29:55,067 --> 00:29:56,900 WHY DO I KEEP PICKING THESE, YOU 1125 00:29:56,900 --> 00:29:58,300 KNOW, WRONG MEN? 1126 00:29:58,300 --> 00:29:59,833 IT'S LIKE, I MEET MEN. 1127 00:29:59,833 --> 00:30:01,133 YOU KNOW, I CALLED YOU. 1128 00:30:01,133 --> 00:30:02,600 I BE LIKE, "OH, MY GOD, I MET 1129 00:30:02,600 --> 00:30:03,267 THIS GUY. 1130 00:30:03,267 --> 00:30:03,933 HE'S GREAT." 1131 00:30:03,933 --> 00:30:05,367 THEN THREE DAYS LATER, I GET 1132 00:30:05,367 --> 00:30:06,033 NUMB. 1133 00:30:06,033 --> 00:30:07,433 LIKE, I WANT BUTTERFLIES. 1134 00:30:07,433 --> 00:30:08,933 I WANT TO FEEL SOMETHING. 1135 00:30:08,933 --> 00:30:10,333 IT'S LIKE, I CAN'T-- 1136 00:30:10,333 --> 00:30:12,467 I JUST CAN'T JUST SETTLE IN A 1137 00:30:12,467 --> 00:30:15,033 SITUATION NO MORE. 1138 00:30:15,033 --> 00:30:16,200 SO, I MEAN, YOU FIND 1139 00:30:16,200 --> 00:30:18,500 YOURSELF--YOU HAVE ACCESS TO 1140 00:30:18,500 --> 00:30:20,100 ALL OF THESE GUYS. 1141 00:30:20,100 --> 00:30:20,867 YOU'RE AT THE TOP OF THE FOOD 1142 00:30:20,867 --> 00:30:21,533 CHAIN. 1143 00:30:21,533 --> 00:30:22,900 YOU HAVE ACCESS TO GUYS THAT 1144 00:30:22,900 --> 00:30:24,667 WOMEN WOULD LOVE JUST TO GET 1145 00:30:24,667 --> 00:30:25,400 NEXT TO. 1146 00:30:25,400 --> 00:30:27,467 DO YOU THINK IT'S BAGGAGE THAT 1147 00:30:27,467 --> 00:30:28,233 YOU'VE CARRIED OVER FROM 1148 00:30:28,233 --> 00:30:29,500 PREVIOUS RELATIONSHIPS THAT 1149 00:30:29,500 --> 00:30:30,900 PREVENT YOU FROM OPENING UP, 1150 00:30:30,900 --> 00:30:32,700 OR DO YOU THINK THAT THESE GUYS, 1151 00:30:32,700 --> 00:30:33,933 ONCE YOU ACTUALLY MEET 'EM, 1152 00:30:33,933 --> 00:30:34,933 DON'T HAVE THE QUALITY OF 1153 00:30:34,933 --> 00:30:36,267 CHARACTER THAT YOU WOULD THINK 1154 00:30:36,267 --> 00:30:37,700 THEY WOULD HAVE FROM THE OUTSIDE 1155 00:30:37,700 --> 00:30:40,633 LOOKING IN? 1156 00:30:40,633 --> 00:30:42,000 I DON'T KNOW. 1157 00:30:42,000 --> 00:30:43,200 I ALWAYS PICK THE DUDES, YOU 1158 00:30:43,200 --> 00:30:44,200 KNOW, USUALLY WITH THE GOLD 1159 00:30:44,200 --> 00:30:46,833 TEETH, YOU KNOW, THE TATTOOS, 1160 00:30:46,833 --> 00:30:49,300 HOT BOYS, THE BOSSES, BUT THAT'S 1161 00:30:49,300 --> 00:30:50,600 PROBABLY NOT WHAT I NEED TO BE 1162 00:30:50,600 --> 00:30:52,500 DATING AT THIS POINT IN MY LIFE. 1163 00:30:52,500 --> 00:30:53,567 ARE YOU GIVING THOSE GUYS 1164 00:30:53,567 --> 00:30:55,300 THAT OTHER PEOPLE SAY YOU SHOULD 1165 00:30:55,300 --> 00:30:56,533 DATE THE OPPORTUNITY? 1166 00:30:56,533 --> 00:30:57,467 I DON'T KNOW. 1167 00:30:57,467 --> 00:30:59,433 I DON'T KNOW IF I'M DOING IT, 1168 00:30:59,433 --> 00:31:00,467 AND I FEEL LIKE-- 1169 00:31:00,467 --> 00:31:01,633 YOU DON'T PUT YOURSELF IN A 1170 00:31:01,633 --> 00:31:03,567 POSITION TO WIN FROM THE GET-GO. 1171 00:31:03,567 --> 00:31:04,933 WHY, BECAUSE A PERSON HAS A 1172 00:31:04,933 --> 00:31:06,067 CERTAIN JOB OR A PERSON-- 1173 00:31:06,067 --> 00:31:06,767 I'M GONNA TELL YOU WHAT 1174 00:31:06,767 --> 00:31:07,433 YOU DO. 1175 00:31:07,433 --> 00:31:08,267 I'M GONNA TELL YOU WHAT YOU DO. 1176 00:31:08,267 --> 00:31:09,633 WHAT YOU DO IS SAY, "OKAY, I'M 1177 00:31:09,633 --> 00:31:10,533 K.MICHELLE. 1178 00:31:10,533 --> 00:31:11,933 THIS IS THE LANE I'M IN, AND 1179 00:31:11,933 --> 00:31:13,933 THIS GUY'S IN MY LANE. 1180 00:31:13,933 --> 00:31:15,300 WE LOOK GOOD TOGETHER. 1181 00:31:15,300 --> 00:31:16,400 WE HAVE FUN TOGETHER. 1182 00:31:16,400 --> 00:31:17,633 AUTOMATICALLY, WE'RE COMPATIBLE, 1183 00:31:17,633 --> 00:31:18,467 AND WE'RE GONNA BE A LONG-TERM 1184 00:31:18,467 --> 00:31:19,200 RELATIONSHIP." 1185 00:31:19,200 --> 00:31:20,100 I DON'T THINK SO. 1186 00:31:20,100 --> 00:31:21,400 I DON'T AGREE WITH THAT'S HOW 1187 00:31:21,400 --> 00:31:22,067 I'M DATING. 1188 00:31:22,067 --> 00:31:23,233 LOOK AT THE HISTORY. 1189 00:31:23,233 --> 00:31:24,100 YEAH, WELL, NO, BUT I DON'T 1190 00:31:24,100 --> 00:31:24,967 AGREE WITH THAT'S HOW I'M 1191 00:31:24,967 --> 00:31:25,633 DATING. 1192 00:31:25,633 --> 00:31:27,067 YOU HAVE TO UNDERSTAND. 1193 00:31:27,067 --> 00:31:28,200 I DON'T CARE. 1194 00:31:28,200 --> 00:31:29,467 I DON'T CARE IF YOU DRIBBLE A 1195 00:31:29,467 --> 00:31:30,400 BALL OR YOU PLAY WITH YOUR 1196 00:31:30,400 --> 00:31:31,067 BALLS. 1197 00:31:31,067 --> 00:31:31,900 BUT YOU GOT TO KNOW BEFORE 1198 00:31:31,900 --> 00:31:32,567 YOU GO INTO IT. 1199 00:31:32,567 --> 00:31:33,733 THE TYPE OF GUYS THAT YOU DATE 1200 00:31:33,733 --> 00:31:35,100 AIN'T GONNA GIVE YOU 100. 1201 00:31:35,100 --> 00:31:36,467 WHAT YOU LOOK FOR IN A 1202 00:31:36,467 --> 00:31:37,433 RELATIONSHIP, THE THINGS THAT 1203 00:31:37,433 --> 00:31:38,767 YOU REQUIRE IN A RELATIONSHIP, 1204 00:31:38,767 --> 00:31:39,967 YOU DON'T PURSUE THOSE GUYS 1205 00:31:39,967 --> 00:31:43,733 THAT HAVE THOSE ATTRIBUTES. 1206 00:31:43,733 --> 00:31:45,200 I MIGHT BE DOING SOMETHING 1207 00:31:45,200 --> 00:31:45,867 WRONG. 1208 00:31:45,867 --> 00:31:48,300 I KNOW--YOU KNOW, I MIGHT BE 1209 00:31:48,300 --> 00:31:50,567 PICKING THE WRONG GUYS. 1210 00:31:50,567 --> 00:31:52,200 I DON'T KNOW, BUT I JUST KNOW 1211 00:31:52,200 --> 00:31:55,233 GOING HOME EVERY NIGHT AND 1212 00:31:55,233 --> 00:31:56,433 DEALING WITH MYSELF-- 1213 00:31:56,433 --> 00:31:58,433 THAT SILENCE IS LOUD, MAN. 1214 00:32:00,733 --> 00:32:01,400 WAIT A MINUTE. 1215 00:32:01,400 --> 00:32:03,767 THERE HAVE BEEN OTHER WOMEN? 1216 00:32:03,767 --> 00:32:07,433 QUITE. 1217 00:32:07,433 --> 00:32:08,233 YOU DON'T WANT TO BE A LIAR 1218 00:32:08,233 --> 00:32:10,233 ANYMORE. 1219 00:32:17,767 --> 00:32:19,533 LAST TIME I SAW MIMI WAS AT 1220 00:32:19,533 --> 00:32:21,767 THE ATL LIVE, AND, YOU KNOW, I 1221 00:32:21,767 --> 00:32:23,067 SANG A SONG TO HER, HOPING THAT 1222 00:32:23,067 --> 00:32:24,567 IT'D GET US BACK TO LOVE, BUT 1223 00:32:24,567 --> 00:32:26,067 SHE'S ARGUING, FUSSING, 1224 00:32:26,067 --> 00:32:27,867 FIGHTING, AND SHE INSISTED THE 1225 00:32:27,867 --> 00:32:29,400 NEXT TIME WE SPEAK, WE SPEAK AT 1226 00:32:29,400 --> 00:32:30,700 A THERAPIST'S OFFICE, 1227 00:32:30,700 --> 00:32:34,667 SO HERE WE ARE. 1228 00:32:34,667 --> 00:32:36,667 WHY DID YOU COME TO THERAPY? 1229 00:32:39,700 --> 00:32:44,233 I THINK MY MAIN ISSUE 1230 00:32:44,233 --> 00:32:47,100 WOULD BE THE LYING. 1231 00:32:47,100 --> 00:32:48,400 SHE'S CALLING YOU A LIAR. 1232 00:32:48,400 --> 00:32:49,667 I UNDERSTAND. 1233 00:32:49,667 --> 00:32:50,533 I UNDERSTAND, AND I'VE BEEN 1234 00:32:50,533 --> 00:32:51,233 THAT. 1235 00:32:51,233 --> 00:32:52,200 I'VE BEEN THAT. 1236 00:32:52,200 --> 00:32:53,167 SO YOU ADMIT THAT. 1237 00:32:53,167 --> 00:32:54,300 YES, I DO. 1238 00:32:54,300 --> 00:32:55,367 I ADMIT IT. 1239 00:32:55,367 --> 00:32:56,800 YOU ADMIT THAT YOU'RE A LIAR. 1240 00:32:56,800 --> 00:32:57,767 I ADMIT THAT I'VE LIED TO 1241 00:32:57,767 --> 00:32:58,533 HER, YES. 1242 00:32:58,533 --> 00:32:59,467 OKAY, YOU ADMIT THAT YOU'RE 1243 00:32:59,467 --> 00:33:00,233 A LIAR. 1244 00:33:00,233 --> 00:33:04,367 I-I GUESS THAT MEANS YES. 1245 00:33:04,367 --> 00:33:05,433 I WANT YOU TO OWN IT. 1246 00:33:05,433 --> 00:33:06,800 I'M NOT TRYING TO BEAT YOU UP. 1247 00:33:06,800 --> 00:33:07,733 I WANT YOU TO OWN WHAT YOU'VE 1248 00:33:07,733 --> 00:33:08,433 DONE. 1249 00:33:08,433 --> 00:33:09,233 I OWN IT THAT I'VE LIED. 1250 00:33:09,233 --> 00:33:10,367 I'VE OWNED THAT, YEAH, 1251 00:33:10,367 --> 00:33:11,600 I'M A LIAR. 1252 00:33:11,600 --> 00:33:13,367 WOW, YOU ADMITTED IT. 1253 00:33:13,367 --> 00:33:14,700 I KNEW HE WAS A LIAR. 1254 00:33:14,700 --> 00:33:16,300 HE'S BEEN LYING FOR A LONG TIME, 1255 00:33:16,300 --> 00:33:16,967 BUT THE FACT 1256 00:33:16,967 --> 00:33:19,967 THAT HE ADMITTED IT-- 1257 00:33:19,967 --> 00:33:21,800 IT WAS A LITTLE REFRESHING. 1258 00:33:21,800 --> 00:33:24,067 YOU LOVE THIS WOMAN? 1259 00:33:24,067 --> 00:33:25,500 YES, I LOVE HER. 1260 00:33:25,500 --> 00:33:27,233 ARE YOU IN LOVE WITH HER? 1261 00:33:27,233 --> 00:33:28,233 I WANT TO BE BACK IN LOVE 1262 00:33:28,233 --> 00:33:28,833 WITH HER. 1263 00:33:28,833 --> 00:33:29,767 SO YOU'RE NOT IN LOVE RIGHT 1264 00:33:29,767 --> 00:33:30,533 NOW. 1265 00:33:30,533 --> 00:33:32,233 NO. 1266 00:33:32,233 --> 00:33:32,967 CAN I ASK YOU SOMETHING? 1267 00:33:32,967 --> 00:33:33,767 YOU CAN ASK ME WHATEVER YOU 1268 00:33:33,767 --> 00:33:34,433 WANT. 1269 00:33:34,433 --> 00:33:35,300 WHAT IS IT THAT YOU WANT 1270 00:33:35,300 --> 00:33:36,267 FROM ME? 1271 00:33:36,267 --> 00:33:37,967 I WANT YOU TO BE HAPPY, 1272 00:33:37,967 --> 00:33:39,067 MORE HAPPY. 1273 00:33:39,067 --> 00:33:40,600 LATELY, YOU HAVE NOT. 1274 00:33:40,600 --> 00:33:42,467 AND WHY? 1275 00:33:42,467 --> 00:33:43,300 I [bleep] UP. 1276 00:33:43,300 --> 00:33:44,767 THAT'S WHY I'M HERE. 1277 00:33:44,767 --> 00:33:46,100 IT SOUNDS LIKE THERE WAS A 1278 00:33:46,100 --> 00:33:50,133 BIG LIE, A GINORMOUS LIE. 1279 00:33:50,133 --> 00:33:51,733 IT WAS A REALITY. 1280 00:33:51,733 --> 00:33:52,667 IT WASN'T A LIE. 1281 00:33:52,667 --> 00:33:53,900 SOMETHING HAPPENED, AND THERE'S 1282 00:33:53,900 --> 00:33:55,367 NO WAY AROUND IT. 1283 00:33:55,367 --> 00:33:56,567 WHAT HAPPENED? 1284 00:33:56,567 --> 00:33:57,733 I HAVE AN ARTIST THAT I'M 1285 00:33:57,733 --> 00:34:00,533 WORKING WITH, AND SHE TURNED UP 1286 00:34:00,533 --> 00:34:01,233 PREGNANT. 1287 00:34:01,233 --> 00:34:01,967 YOU KNOW WHAT I'M SAYIN'? 1288 00:34:01,967 --> 00:34:02,933 I GOT HER PREGNANT. 1289 00:34:02,933 --> 00:34:04,300 YOU KNOW WHAT I MEAN? 1290 00:34:04,300 --> 00:34:05,700 THE WAY HE SAID IT WAS LIKE 1291 00:34:05,700 --> 00:34:06,933 YOU WOULD THINK THEY JUST BUMPED 1292 00:34:06,933 --> 00:34:07,767 INTO EACH OTHER. 1293 00:34:07,767 --> 00:34:08,700 AND I HAD TO REMIND HIM, 1294 00:34:08,700 --> 00:34:11,833 "EXCUSE ME, YOU HAD AN AFFAIR." 1295 00:34:11,833 --> 00:34:13,233 WHAT'S HER NAME? 1296 00:34:13,233 --> 00:34:15,700 JOSELINE. 1297 00:34:15,700 --> 00:34:16,933 SO YOU WERE HITTING THAT ON THE 1298 00:34:16,933 --> 00:34:18,933 REGULAR? 1299 00:34:21,133 --> 00:34:22,233 YEAH, FOR A MONTH STRAIGHT ON 1300 00:34:22,233 --> 00:34:23,233 THE REGULAR. 1301 00:34:23,233 --> 00:34:27,067 SO SHE'S SOMEONE YOU LOVE. 1302 00:34:28,867 --> 00:34:32,067 I MEAN... 1303 00:34:32,067 --> 00:34:34,567 I MEAN, YEAH, I LOVE HER, LIKE, 1304 00:34:34,567 --> 00:34:36,667 AS, LIKE, YOU KNOW, A COOL 1305 00:34:36,667 --> 00:34:38,433 PERSON, A FRIEND, YOU KNOW, 1306 00:34:38,433 --> 00:34:39,467 SOMEBODY THAT I CAN KICK IT WITH 1307 00:34:39,467 --> 00:34:40,267 AND CHILL OUT WITH. 1308 00:34:40,267 --> 00:34:41,967 YEAH, YOU KNOW? 1309 00:34:41,967 --> 00:34:43,133 BUT I LOVE MIMI. 1310 00:34:43,133 --> 00:34:44,367 I'M IN LOVE WITH MIMI. 1311 00:34:44,367 --> 00:34:46,267 I WANT TO BE BACK IN LOVE WITH 1312 00:34:46,267 --> 00:34:47,067 MIMI. 1313 00:34:47,067 --> 00:34:48,433 MM-HMM, SO I'M SUPPOSED TO 1314 00:34:48,433 --> 00:34:49,267 BELIEVE THAT YOU'RE NOT GONNA 1315 00:34:49,267 --> 00:34:50,233 SLEEP WITH HER AGAIN. 1316 00:34:50,233 --> 00:34:51,300 I HAVEN'T EVEN SEEN HER IN 1317 00:34:51,300 --> 00:34:52,533 THE PAST FEW WEEKS. 1318 00:34:52,533 --> 00:34:53,200 WHY? 1319 00:34:53,200 --> 00:34:54,367 BECAUSE WE'RE JUST HANDLING 1320 00:34:54,367 --> 00:34:55,333 BUSINESS. 1321 00:34:55,333 --> 00:34:57,267 I DON'T BELIEVE YOU OR HER. 1322 00:34:57,267 --> 00:34:59,333 THIS IS THE GUY THAT ADMITTED 1323 00:34:59,333 --> 00:35:01,733 TO BEING--STEVIE, WHAT WAS THE 1324 00:35:01,733 --> 00:35:02,767 TERM YOU USED? 1325 00:35:02,767 --> 00:35:04,067 I MEAN... 1326 00:35:04,067 --> 00:35:07,367 WHAT WAS THE TERM YOU USED? 1327 00:35:07,367 --> 00:35:08,900 THE "L" WORD. 1328 00:35:08,900 --> 00:35:10,367 YEAH. 1329 00:35:10,367 --> 00:35:12,267 LOVE. 1330 00:35:12,267 --> 00:35:14,633 NO, THE OTHER WORD. 1331 00:35:14,633 --> 00:35:16,633 LIAR. 1332 00:35:23,533 --> 00:35:25,133 CAN WE AT LEAST GET PAST SOME 1333 00:35:25,133 --> 00:35:27,667 ISSUES SO THAT WE CAN MOVE ON TO 1334 00:35:27,667 --> 00:35:28,767 HAPPINESS? 1335 00:35:28,767 --> 00:35:31,900 BEFORE WE GET BACK TO THAT 1336 00:35:31,900 --> 00:35:34,700 PLACE, IN THE INTERIM OF THAT, 1337 00:35:34,700 --> 00:35:36,233 YOU'RE STILL GONNA DO YOU. 1338 00:35:36,233 --> 00:35:37,767 WHAT IS DOING ME? 1339 00:35:37,767 --> 00:35:39,100 IS THAT A TRICK QUESTION? 1340 00:35:39,100 --> 00:35:39,867 WHAT, GOING TO WORK EVERY 1341 00:35:39,867 --> 00:35:40,533 DAY? 1342 00:35:40,533 --> 00:35:41,367 NO, NO, NO, I'M NOT TALKING 1343 00:35:41,367 --> 00:35:42,500 ABOUT GOING TO WORK. 1344 00:35:42,500 --> 00:35:43,333 WHAT ARE YOU TALKING ABOUT? 1345 00:35:43,333 --> 00:35:44,067 LET HER TALK. 1346 00:35:44,067 --> 00:35:45,233 I'M TALKING ABOUT OTHER 1347 00:35:45,233 --> 00:35:46,633 WOMEN. 1348 00:35:46,633 --> 00:35:48,233 I'M NOT DOING NO OTHER WOMEN. 1349 00:35:48,233 --> 00:35:50,200 OKAY, I'M GONNA STOP YOU. 1350 00:35:53,533 --> 00:35:54,300 WAIT A MINUTE. 1351 00:35:54,300 --> 00:35:56,700 THERE HAVE BEEN OTHER WOMEN? 1352 00:35:56,700 --> 00:35:58,700 QUITE. 1353 00:36:02,533 --> 00:36:04,533 HUH? 1354 00:36:06,100 --> 00:36:06,900 YOU DON'T WANT TO BE A LIAR 1355 00:36:06,900 --> 00:36:10,233 ANYMORE. 1356 00:36:10,233 --> 00:36:12,967 I THINK I'M JUST LOOKING FOR 1357 00:36:12,967 --> 00:36:15,333 THAT LOVE THAT I NEVER GOT. 1358 00:36:15,333 --> 00:36:16,433 YOU KNOW? 1359 00:36:16,433 --> 00:36:22,333 I'LL GIVE IT TO YOU. 1360 00:36:22,333 --> 00:36:24,067 MIMI, I KNOW YOU'RE A STRONG 1361 00:36:24,067 --> 00:36:27,300 WOMAN, BUT WE ARE GONNA TALK 1362 00:36:27,300 --> 00:36:32,333 ABOUT ENABLING BEHAVIORS. 1363 00:36:32,333 --> 00:36:34,167 WHY DOES A MAN CHEAT? 1364 00:36:34,167 --> 00:36:36,967 BECAUSE THE WOMAN LETS HIM. 1365 00:36:36,967 --> 00:36:38,633 YOU'RE ABSOLUTELY RIGHT. 1366 00:36:38,633 --> 00:36:42,633 YOU HAVE TO CHANGE TOO, MIMI. 1367 00:36:42,633 --> 00:36:43,733 AND I'M GONNA ASK YOU A VERY 1368 00:36:43,733 --> 00:36:45,500 PERSONAL QUESTION. 1369 00:36:45,500 --> 00:36:46,833 WHAT WAS YOUR RELATIONSHIP LIKE 1370 00:36:46,833 --> 00:36:48,967 WITH YOUR MOTHER? 1371 00:36:48,967 --> 00:36:51,067 [sighs] 1372 00:36:51,067 --> 00:36:52,800 SHE WAS ALWAYS SEARCHING FOR 1373 00:36:52,800 --> 00:36:54,800 SOMETHING, DIFFERENT RELIGIONS, 1374 00:36:54,800 --> 00:36:56,433 AND... 1375 00:36:56,433 --> 00:36:57,367 WHEN MY MOTHER JOINED 1376 00:36:57,367 --> 00:36:59,300 SCIENTOLOGY, THEY WANTED ME TO 1377 00:36:59,300 --> 00:37:00,533 SIGN A CONTRACT TO WORK FOR 1378 00:37:00,533 --> 00:37:02,533 THEM, AND I REFUSED. 1379 00:37:02,533 --> 00:37:04,400 I WAS KICKED OUT AT 13, 1380 00:37:04,400 --> 00:37:06,100 AND MY MOTHER WAS SO CONSUMED 1381 00:37:06,100 --> 00:37:08,700 WITH HER LIFE IN THAT RELIGION 1382 00:37:08,700 --> 00:37:10,467 THAT WE LOST CONTACT FOR MANY 1383 00:37:10,467 --> 00:37:11,767 YEARS. 1384 00:37:11,767 --> 00:37:14,067 AND WHERE SHE ENDED UP, SHE 1385 00:37:14,067 --> 00:37:16,867 STAYED THERE UNTIL SHE DIED, AND 1386 00:37:16,867 --> 00:37:21,133 SHE GAVE UP HER KIDS, 1387 00:37:21,133 --> 00:37:24,800 EVERYTHING, FOR WHAT SHE WANTED 1388 00:37:24,800 --> 00:37:25,467 TO DO. 1389 00:37:25,467 --> 00:37:27,700 SO IN YOUR MOST FORMATIVE 1390 00:37:27,700 --> 00:37:29,667 YEARS, YOU DIDN'T HAVE A 1391 00:37:29,667 --> 00:37:30,633 MOTHER. 1392 00:37:30,633 --> 00:37:31,500 MM-MM. 1393 00:37:31,500 --> 00:37:33,100 I DO THINK IT HAS PLAYED A PART 1394 00:37:33,100 --> 00:37:35,167 IN MY RELATIONSHIPS, 1395 00:37:35,167 --> 00:37:37,167 BECAUSE I'M... 1396 00:37:40,200 --> 00:37:42,767 [sighs] 1397 00:37:42,767 --> 00:37:45,700 I THINK I'M JUST LOOKING FOR 1398 00:37:45,700 --> 00:37:47,900 THAT LOVE THAT I NEVER GOT. 1399 00:37:47,900 --> 00:37:49,167 YOU KNOW? 1400 00:37:49,167 --> 00:37:51,833 I'LL GIVE IT TO YOU. 1401 00:37:51,833 --> 00:37:53,633 BUT IT JUST HURTS SO MUCH 1402 00:37:53,633 --> 00:37:56,633 WORSE WHEN I THINK I'M WITH 1403 00:37:56,633 --> 00:37:59,433 SOMEONE, AND THEY TURN AROUND 1404 00:37:59,433 --> 00:38:02,233 AND HURT ME. 1405 00:38:02,233 --> 00:38:04,367 LIKE... 1406 00:38:04,367 --> 00:38:07,367 [sniffling] 1407 00:38:11,433 --> 00:38:14,067 EVERYTHING WE DO COMES FROM 1408 00:38:14,067 --> 00:38:17,067 SOMETHING ELSE, YOU KNOW? 1409 00:38:17,067 --> 00:38:20,267 WHICH THEN LEADS ME TO ASK YOU: 1410 00:38:20,267 --> 00:38:21,433 WHAT KIND OF RELATIONSHIP DID 1411 00:38:21,433 --> 00:38:22,933 YOU HAVE WITH YOUR MOTHER? 1412 00:38:22,933 --> 00:38:24,700 I DON'T. 1413 00:38:24,700 --> 00:38:25,900 DON'T KNOW HER. 1414 00:38:25,900 --> 00:38:27,067 WHAT HAPPENED? 1415 00:38:27,067 --> 00:38:27,833 WELL, MY FATHER HAVE BEEN 1416 00:38:27,833 --> 00:38:29,333 RAISING ME AND MY BROTHERS AND 1417 00:38:29,333 --> 00:38:30,667 SISTERS SINCE I WAS EIGHT 1418 00:38:30,667 --> 00:38:32,967 MONTHS, SO YOU KNOW. 1419 00:38:32,967 --> 00:38:34,067 WHAT DO YOU KNOW ABOUT YOUR 1420 00:38:34,067 --> 00:38:34,867 MOTHER? 1421 00:38:34,867 --> 00:38:35,967 NOT TOO MUCH. 1422 00:38:35,967 --> 00:38:37,100 YOU KNOW, I NEVER EVEN ASKED 1423 00:38:37,100 --> 00:38:38,233 HIM. 1424 00:38:38,233 --> 00:38:40,233 YOU NEVER EVEN ASKED? 1425 00:38:40,233 --> 00:38:41,900 NO. 1426 00:38:41,900 --> 00:38:45,700 STEVIE, EVERY BOY WANTS TO 1427 00:38:45,700 --> 00:38:50,700 KNOW, "WHERE IS MY MAMA?" 1428 00:38:50,700 --> 00:38:51,900 I DON'T EVEN KNOW IF I EVER 1429 00:38:51,900 --> 00:38:53,067 WANTED TO KNOW, TO BE HONEST. 1430 00:38:53,067 --> 00:38:54,733 YEAH, YOU DID. 1431 00:38:54,733 --> 00:38:55,900 I MEAN, IT WOULD'VE BEEN NICE 1432 00:38:55,900 --> 00:38:57,067 TO HAVE A RELATIONSHIP WITH MY 1433 00:38:57,067 --> 00:38:58,067 MOTHER, BUT I DIDN'T. 1434 00:38:58,067 --> 00:39:00,167 GOD BLESS YOUR FATHER. 1435 00:39:00,167 --> 00:39:02,133 GOD BLESS HIM, BUT YOU WERE 1436 00:39:02,133 --> 00:39:03,933 MORTALLY WOUNDED BECAUSE YOU 1437 00:39:03,933 --> 00:39:05,967 DIDN'T HAVE A MOTHER IN YOUR 1438 00:39:05,967 --> 00:39:07,933 LIFE. 1439 00:39:07,933 --> 00:39:09,867 AND UNLESS YOU GO DEEP INSIDE 1440 00:39:09,867 --> 00:39:12,400 THAT PAIN, YOU WILL ALWAYS CARRY 1441 00:39:12,400 --> 00:39:13,767 THAT PAIN, AND YOU'RE GONNA 1442 00:39:13,767 --> 00:39:15,633 DEFLECT THAT PAIN AND PUT THAT 1443 00:39:15,633 --> 00:39:17,733 PAIN ON EVERYBODY ELSE. 1444 00:39:19,667 --> 00:39:21,400 YEAH. 1445 00:39:21,400 --> 00:39:24,067 I CAN'T THINK ABOUT IT, THOUGH. 1446 00:39:24,067 --> 00:39:24,967 I JUST CAN'T. 1447 00:39:24,967 --> 00:39:26,533 YOU WERE ABANDONED BY YOUR 1448 00:39:26,533 --> 00:39:27,200 MOTHER. 1449 00:39:27,200 --> 00:39:30,067 YEAH. 1450 00:39:30,067 --> 00:39:32,600 I WANT YOU TO KNOW, 1451 00:39:32,600 --> 00:39:35,400 I'M ON YOUR SIDE. 1452 00:39:35,400 --> 00:39:37,067 I'M NOT TRYING TO FIGHT YOU OR 1453 00:39:37,067 --> 00:39:39,133 BE AGAINST YOU, BUT WE NEED TO 1454 00:39:39,133 --> 00:39:41,933 WORK TOGETHER. 1455 00:39:41,933 --> 00:39:44,600 YOU KNOW? 1456 00:39:44,600 --> 00:39:47,433 YEAH. 1457 00:40:13,500 --> 00:40:15,100 I WANT US ALL TO SIT DOWN AT 1458 00:40:15,100 --> 00:40:16,967 COUNSELING SO WE CAN ALL BE ABLE 1459 00:40:16,967 --> 00:40:17,833 TO WORK TOGETHER. 1460 00:40:17,833 --> 00:40:18,500 ALL THREE OF US? 1461 00:40:18,500 --> 00:40:19,167 YES. 1462 00:40:19,167 --> 00:40:20,333 HE'S REALLY THINKING HE'S IN 1463 00:40:20,333 --> 00:40:22,467 A THREE-WAY RELATIONSHIP. 1464 00:40:22,467 --> 00:40:23,833 AT FIRST, I THOUGHT IT WAS 1465 00:40:23,833 --> 00:40:25,900 ASININE, BUT NOW THAT I THINK 1466 00:40:25,900 --> 00:40:28,067 ABOUT IT, LET'S GO. 1467 00:40:28,067 --> 00:40:30,267 YOU ARE THE PIECES TO MY 1468 00:40:30,267 --> 00:40:31,500 PUZZLE. 1469 00:40:31,500 --> 00:40:33,500 MWAH! 1470 00:40:33,500 --> 00:40:36,867 WHAT'S IN THE BOX? 1471 00:40:36,867 --> 00:40:38,667 MAN, I GOT GOOSEBUMPS. 1472 00:40:38,667 --> 00:40:40,000 I HAPPEN TO THINK RASHEEDA'S 1473 00:40:40,000 --> 00:40:42,133 A VERY TALENTED PERSON, BUT I'VE 1474 00:40:42,133 --> 00:40:43,033 JUST NEVER SEEN HER GET 1475 00:40:43,033 --> 00:40:43,700 ANYWHERE. 1476 00:40:43,700 --> 00:40:44,433 NONE OF MY FAULT. 1477 00:40:44,433 --> 00:40:45,100 I DON'T CARE. 1478 00:40:45,100 --> 00:40:46,100 I'M COOL WITH THAT. 1479 00:40:46,100 --> 00:40:47,000 SWEETHEART, THIS AIN'T ABOUT 1480 00:40:47,000 --> 00:40:47,667 FAULT. 1481 00:40:47,667 --> 00:40:49,867 IT'S ABOUT COMING FROM UNDER THE 1482 00:40:49,867 --> 00:40:50,533 GROUND. 1483 00:40:50,533 --> 00:40:51,667 SHE'S DIRTY. 1484 00:40:51,667 --> 00:40:52,767 SHE'S SINKING. 1485 00:40:52,767 --> 00:40:54,900 SHE WANT TO COME UP FOR AIR. 1486 00:40:54,900 --> 00:40:56,367 HELLO, YOU MUST BE JOSELINE. 1487 00:40:56,367 --> 00:40:57,033 YES, I AM. 1488 00:40:57,033 --> 00:40:57,700 NICE TO MEET YOU. 1489 00:40:57,700 --> 00:40:58,567 HE'S TRYING TO CONTINUE ON THE 1490 00:40:58,567 --> 00:41:00,267 RELATIONSHIP WITH HER. 1491 00:41:00,267 --> 00:41:02,133 I'M LIVING WITH HIM RIGHT 1492 00:41:02,133 --> 00:41:03,267 NOW, JOSELINE. 1493 00:41:03,267 --> 00:41:04,267 YOU GUYS LIVING TOGETHER? 1494 00:41:04,267 --> 00:41:05,233 YES, I'M IN THE HOUSE. 1495 00:41:05,233 --> 00:41:07,233 YES, I HAVE BEEN THERE.